Tag Archives: hobbies

Doesn’t Play Well With Others

Well, back from hibernation.  Seems like every once in a while I need to take a few months off.  And I have a need to break in the new keyboard I have.  That’s one little new thing in my life.  A month or so ago, my keyboard finally died.  I had spilled some liquid on it and it put up a brave fight for a few months, then one of the traces went out and some keys stopped responding

And normally, this would be a case of, just go get another, but I have been using the same keyboard model for, I don’t know, maybe 30 years?  And the problem is they don’t make them anymore.  I spent a little time researching a new brand and model to use, but broke down and searched harder for my life-long model.  Believe it or not, some charity shop had a few unopened packages of them.  I bought two and now I’m back in business.  Well, sort of.  These keys are really stiff and need broken in.  So, blog on.

So anyway, the thing that made me want to write a new post was about a side project.  I have a few side projects going right now.  One involves archiving older magazines with a new, fancy book scanner.  That’s a post for another day.  But another of the projects involved coding.  And it has turned into a once-and-done project, simply because I have to work with other people.  I didn’t think I’d have to, but that’s how it turned out, and that’s where I bow out.

The heart of the project was a conversion of some of the earliest published BASIC software programs to modern languages.  I feel that I am a pretty well-prepared person to do the conversion because I grew up with those programs, back when you needed line numbers and you didn’t have subroutines, only GOTO.  In addition, I enjoy teaching and helping new coders on their way.

So over a few hours, I converted a program from the old BASIC version to the new VB.NET version.  I felt I had done a good job.  I retained the procedural structure of the program, with only one subroutine for efficiency’s sake.  I documented the code for a beginner, to explain the why and the how of each element.  I checked in the code and it was approved.

A couple weeks later, I decided I’d convert another program, so I went back to the public repository to see what was left available.  In the process, I checked on the application I had converted.  To my surprise, it had recent edits by another user.  Ok, that’s fine, that’s what open source code is all about.  So I looked at the new code.  It wasn’t mine anymore.

The next developer restructured the entire application, putting everything into subroutines, renaming all my variables, even reversing the IF statements I used.  I was aghast.  And I was done. 

Later that night, I tried to come to terms with what happened and why I was so furious and what if anything I could do about it.

It boiled down to two things.  First, all my time was wasted.  There was little to none of my original code remaining, so I can’t say the next dev improved my code, they flat out replaced it.  If I had not done anything at all, the result would have been the same.  The same thing could happen with anything other conversion I may choose to add to that project, so why even bother?

Second, the code was written at maybe a 201 level, instead of my 101 level.  It was no longer a beginners program to learn from.  It was an end-of-course demonstration of everything you should have learned.  And this is the part that annoyed the hell out of me.  The new code had everything included except OOD (object-oriented design, which I would say is 301 level).  That’s way too much stuff for a first-timer to absorb.  It’s what would be termed "tone-deaf", or not understanding your audience.  For example, I had two variables.  The next dev changed that to an array with two elements, then used LINQ expressions .First() and .Last() to access the values.  Absolutely pointless except for illustrative purposes, and much too complex for a first-timer to grasp.

And that whole experience brought back a painful old memory when I tried to defend a particular coding style in a public forum and got viciously torn to shreds by all the other members for even considering anything but one single, approved method of doing it.  It literally drove me from the forum and I have never been back since.  Ironically, I just saw that forum mentioned by the same blogger that was running this conversion project.  Go figure.

So this is my position.  I am pissed off at people who think that everything must be constructed to the standards of some architect’s wet dream.  I’ve been in the professional world for decades and I can tell you, it’s not like that.  There’s some bright spots and there’s some rust.  And the people that I am pointing my middle finger to are the exact ones that are going to say, "It’s like that because of people like you!"  MAGA programmers, essentially.

But don’t get me wrong, I know code.  I know shit code, I know beginner code, I know unnecessarily over-engineered code.  I know which of these those people write.  And I can certainly appreciate well-written code, which I am sure they are capable of writing as well.  It’s the gatekeeping and exclusivity that are uncalled for.  Can I separate the art from the artist?  Nope.  People need to be more inclusive and welcoming instead of insulting, dismissive, and abusive.  And that’s not for just programmers.  That applies to everyone, everywhere.

Being Stupid Outdoors

Somewhere around 10 years ago, I got into hiking, which is a more impressive way of saying walking outside.  The local terrain doesn’t really constitute what I would call hiking, since it’s just flatland.  But regardless, it is outside and it is on a trail, so I can say that I hiked trails.  I was a hiker.

I did that for some time and eventually it kind of stopped being a thing.  I just slowly stopped doing it.  But recently, I’ve decided I want to start doing the hiking again.  it was a tentative beginning, I wasn’t sure if I would still enjoy a physical activity and honestly, I didn’t see any way it would be fun.  It sounded boring now, but whatever I was or wasn’t doing around the house was as much or more boring, so I also didn’t have much to lose.  And anyway I needed to do something to take positive strides in my health. 

I was 10 years younger back then, and as you get older, that nice round milestone becomes more and more significant.  However, I never have seen myself as the actual age I am.  Maybe I’m deluded or stupid or something, but I don’t think I am my age.  I probably think and act my age, but I don’t perceive myself that way.  The point I’m trying to make here is, however I was then, that’s how I think I am now, and I’m probably not.  And that’s not smart.  My new experiences with hiking have been a collection of smart and not so smart things; mostly the latter.  So I will chronicle the most recent events.

A couple weeks ago, we had a tropical storm moving in.  This caused me concern, not because of the storm itself, but because of the coming rain.  All of the nearby trails have been flooded from the summer monsoon and it pisses me off.  If there’s a couple days without downpours, the flooded trails can turn into muck instead of lakes, which makes the hike more tolerable.  The first time I had visited this particular trail, I had left the house and a mile down the road realized I did not change into my hiking boots, I still had my sneakers.  "It’ll be fine," I said.  "This trail is not as low as the other one I go to."  When I get there, right past the entrance gate – lake.  I had to go back home and change into my boots.  I haven’t made that mistake again.

Since that time, I’d been back to that trail and the water had gone down, mostly.  But today I was trying to get in a hike before the tropical storm hit.  I checked the radar and it looked fine.  I did not consider, and I should have known, weather here changes fast.  So I get a mile or so out on the trail and I’m seeing some dark clouds forming.  "It’ll be fine."  Then it becomes obvious that it’s not going to be fine and I need to get back to the car, like soon.  The moment of my realization was captured by my fitness band.


I suffered a few minutes of downpour, but I escaped the worst of the storm, and there was no nearby lightning, which was the bigger concern, since these trails are open fields.  Lesson learned?  I got caught in another downpour on another day and I was far enough out on the trail to cause me to don my rain jacket I carry in my pack.  So, no.

Last week, I decided I was going to do a bigger hike, which at this point in my redevelopment is over 5 miles.  If you think that’s weaksauce, remember I am doing this while the temperature and humidity are over 90.  To reduce UV exposure, I wear a long-sleeve sun shirt, but I’m still wearing shorts.  I need to get some water-wicking hiking pants.  I reset my GPS and set my exercise band and go.  And very quickly, the sweat starts to go too, because I’m upping my pace to cover more ground quickly.  10 years ago, I could cover 5 miles in an hour.  Based on past hiking records, I move about 75% of that speed now and I need to get that speed back.

I have a trail map and I refer to it frequently, but it’s disintegrating from being soaked with sweat in my pocket.  At some point, I checked my band to see how far I’d gone.  My sweat-soaked sleeve had impersonated a finger and cancelled my recorded hike.  That had happened about 1.5 miles in.  No idea how far I’d gone since then.  I checked my GPS and it said I was about 2.5 miles.  Ugh.  Onward I went, referring often to the soggy paper map for what path I wanted to take to loop me around and back close to the entrance.

I ended up on an unmaintained part of trail and worse, it was flooded.  I thought I’d be better off pressing forward than backtracking so I navigated the water best I could.  Luckily none was over ankle deep so my socks stayed dry.  Still it slowed me down.  I checked my GPS to see where I was, relative to the path I had taken so far.  The GPS battery is dead.  Right now, I have no idea if I am better off going forward or backward or exactly where I am on the trail.  I really have no idea how hikers survived without GPS units.

As luck would have it (because it ain’t been brains), I had purchased replacement batteries and packed them just before leaving for the hike.  With a quick swap of batteries, I had GPS again.  And I saw that the GPS had died some time ago.  So now, I had no reliable track from either my band or the GPS to tell me how far my hike was today.  Yay.  I’m done.

The trail continues to be flooded, so at the first sign of a cutoff path that would lead me back to my prior track, I took it.  Granted, it was not on my paper map, so I was making an educated (if that’s even possibly appropriate at this point) guess.  The trail dried out and and I also continued to dry out.  After a certain point, your body won’t absorb moisture quick enough to replenish what’s been lost, and I feel I was there, or close to there.  I was mouth breathing at this point.  My gait was unsteady.  I was walking with a forward lean.  None of this was good.

But as I’m not writing this from the afterlife, I did make it back to my car.  Not without getting bit by a deer fly, twice.  It’s almost been a week and I’m still suffering from the bite on my knee.

Despite the stupidity I’d accomplished so far and my knee still swollen and itching (but not sore or painful), I decided to grab a quick hike after work yesterday.  Again, I planned this as a 5+ hike.  I would go to the trail nearest me to start as soon as possible.  I got on the trail at about 5:30.  The first mile was a warmup pace, then I sped it up.  I didn’t have a trail map, but had a decent memory of the trails and the path I wanted to take.  After a short trail ended in a tiny loop, I doubled my path and ended up on the big loop.  I had been on the trail a couple weeks ago and it was totally flooded, so I hoped things had improved.  I was pleased to see that the area that stopped me before was dried out.  And I kept going.

Probably about 50% of the way through the trail loop – lake.  About 30 feet of water with no high spots and certainly more than ankle deep.  I had plenty of expletives to summarize the situation.  I had no choice but to backtrack my whole track, which was over 3 miles at that point.  Not only that, but the sun was going down.

Once I got all the swearing out of my system, I just resigned myself to my fate.  And no point in pretending to be tired, sun’s setting, gotta go fast.  And so I did.  I upped my pace to the quickest of the entire hike and went back the entire length of the trail.  And lets not discount the fact that mosquitos really love dusk, in a swamp.

All told, that hike was 6.75 miles, accomplished in exactly 2 hours.  So far, my dumbest hike this year.  But there’s still plenty of days left in the year, plenty of chances to beat that record.


Aerobic training effect: "Improvement".  Fuck you.

The Stars And What They Mean

Almost exactly 3 years ago, I was mulling over how to apply star ratings to albums so I could sort of make some sense of my music collection.  I actually never went through with it, but now I’m considering tackling something even bigger – applying ratings to the songs.

The big motivator here is building playlists.  When I first started with Plex, I had a vision of kind of a radio station feel to the whole thing, and appropriately, I made playlists that sounded like radio stations, or more like channels on XM.  And that worked pretty well for a while.  At some point, I can’t remember what happened, but I lost all my playlists and had to recreate them.  Ugh.

I remade some of my more used playlists and then I started reconsidering the others and broke them up into decades and sometimes by genre.  The problem there was sometimes I didn’t want to listen to all one decade of music.  So I made one massive playlist of all the singles in all decades.  And that one has been pretty much my go-to when I just need background music.  Realistically, I’m only playing 3 different playlists, but maybe with better metadata, that can change.

One big hurdle I’m facing is that there seems to be no way to get the ratings in and out of Plex from the files.  So whatever ratings I do, I would have to duplicate the effort in both Plex and the files.  And putting the ratings in the files has no benefit because Plex can’t import them (yet).  That sort of makes my Plex library more fragile, since there’s data in there I can’t just lose without a lot of effort lost as well.

Anyway, to disregard that problem for the moment, a bigger problem was how to efficiently get all that data?  Let’s step back even a little further, what exactly am I planning on with these ratings?

That point was something I dwelled on for a while.  I went around on it for a little while.  I considered using Plex collections, but those are only for albums, not songs.  Songs have Plex tags, and I looked into using them.  I thought maybe tags like "Single", "Top40", "Top10", and "#1" might be good.  But my inner software architect was displeased.  Initially, you would assume that "Top10" would also mean the track was "Top40" and also "Single" because of the inclusive nature.  So you’d only need one tag per song.  But that’s going to make the filters (queries) really messy because you have to put that logic into the filter.  If you want a list of "Singles" you have to also include "Top40, "Top10", etc.  The alterative is to use all appropriate tags where needed, so a #1 song would have all four tags on it.  That’s not pleasant either.  ugh.

So going back to the thoughts I had in my earlier post, what if I just made the star rating mean whatever I want it to mean.  So I quickly wrote down a scale:

1 star – Single
2 stars – Top 100
3 stars – Top 40
4 stars – Top 10
5 stars – #1

I think that’s usable.  And before I change my mind on it, how about that efficiency concern, now?  I had almost 2000 albums to go through and determine which songs were released as singles and what their position was on the charts.  And which chart, at that?

So obviously there’s a bunch of compromises that need to be made in this process.  The first was determining what stars mean.  The next will be starting with one source of data.  I considered I could use Wikipedia and look up each album to get the singles and chart positions, but that is woefully underpopulated, so I can’t use that for my primary source.  Billboard does this stuff for a living, I could try them.

As it turned out, someone had made a downloadable dataset of all the songs and chart positions on Billboard’s Hot 100 charts up to 2020 (far more than I needed).  After a quick download and import into a SQL database for easy querying, I felt I was closer.  While I was going to miss out on any 1-star entries, the dataset of the Hot 100 would cover 2-5 star entries, and I could backfill later.

At this particular point, I’m not able to do any automation of the rating import, because I can’t figure out how Plex stores the rating in their database.  I manually changed some things and didn’t see any data changes in the database, so initially, it’s going to be manual entry.  And then I can start building playlists based on singles and chart position, maybe mixing genre and release year into it.  Hopefully that gets me somewhere pretty good.

Lessons To Learn

In my previous post, I talked about music and "remastering" some of my old music.  Where I left off is that I was trying to redo some old keyboard pieces that used the Yamaha SW1000XG.  I bought a Yamaha MU80 as a replacement and that didn’t have the same sounds, so I bought an MU100.  To my surprise, again, not the same sounds.  So while I lick my $400 wounds and decide how I want to go from here, I made progressions on another musical concept.

I had written some guitar tunes a long while back, before I became a more aware and less offensive person.  As fortune would have it at that time, my voice could not cope with the style of singing required for the songs, so all I had recorded was the music.  There are some guide vocals in some songs, which are cringey to say the least.  It’s for the best they stay muted.  But anyway, the recording of the instrument parts left a bit to be desired as well, so I set myself to it to clean those up.

The first issue, which is just like the Yamaha issue, is trying to find the effects that I used when recording the tracks.  After many failed attempts to match up the guitar effects plugins, I gave up and chose new effect patches for the tracks.  They don’t sound the same as the originals, but no one’s heard the originals, so whatever.

The next step was cleanup.  In the original recording, there was a major problem with bleedthough in the mixer I owned, so a lot of tracks have a background noise of the click track.  Through a lot of clever editing and some aggressive fadeouts, I was able to hide any noticeable clicks.  As I made those edits, I determined how to best organize the project for mixdown.  This led to a solution of having the midi drum track span the full length of the song, including pre-silence and fadeout.  That way I could set the locators (which determine what part to mixdown) to the selected drum track and be good to go.

The step after that was mixing, burning, and testing the tracks in CD players: home and car, plus through computer speakers.  I have a spindle of 100 CDRs that I never thought I’d use.  I’m going to use them now.  As I did my tests, I adjusted track times, in cases where the mix cut off too quickly or in some cases, didn’t leave enough lead space for a CD player to audibly start the track immediately.  That was weird: that even if you want a track to start absolutely immediately, you still need a small bit of silence at the beginning otherwise it sort of quickly fades in.

And that was actually a problem, because I had two tracks that segued into one another – I couldn’t have a silent gap between them.  This issue was compounded by the software I was using to write the CDs.  Coming up with a resolution involved another step and more software.  To solve the gapless issue, I had to create a CUE sheet, which would identify the exact placement of the track boundaries on the disc.  And instead of burning multiple audio files, you burn one file that contains the whole CD audio.  The CUE file points to sections in that one audio file.

So now I have to create a single file of the entire album’s audio.  And this forced me to do the proper step of CD mastering.  In this step you work with all the mixed tracks together at once and make them sound cohesive.  And at the same time, you work out the timing of the tracks and the gaps between them.  It was something I was aware of in my listening tests – that some tracks needed volume adjustments – and the mastering process gave me that opportunity to balance everything out.  It’s something I expect to do in future projects.

So I’m up to test disc #6 now, which contains the level-matched tracks and also the gapless track changes where needed thanks to the CUE file.  When I burnt the CD using a new utility that utilized CUE files, I noticed some mentions of CD-TEXT being written, which allows CD players to pick up and display the track title.  I haven’t been able to see that in any players I’ve tried yet, but that’s another target to hit for future test versions.

Musical Progressions

It was a while ago I made a post with a lot of reservations.  It was regarding hauling out my music stuff and getting back into music.  And my reservations at the time were that I wasn’t going to get very far with my initiative because I’d been through the process many times in the past and each time ended up packing everything up and putting it away with nothing to show for the effort.

And, well, this is somewhat the same in that it has not been too productive.  I developed one idea I’d had for many years, but haven’t gotten enough to really make something concrete.  And while that was developing, I also worked on getting the recording station all set up.  I bought a new micro computer, monitor, and monitor stand.  I installed and set up my old Cubase software (which is way behind the times and yet more than I’ll ever need).  Although that’s all ready to go, I haven’t really started anything.

I knew I would have an uphill battle getting my physical abilities back since I hadn’t played in such a long time.  To my surprise, my capability came back faster than expected.  However, I plateaued quickly and my stamina was much diminished, so that was a little discouraging.

Instead of giving up, I decided to pivot a little bit and try to get some inspiration and relearn some engineering technique.  I have a lot of old music that exists in MP3 format.  It should be in FLAC format to be of the best quality.  Additionally, some of those songs need a little improvement.  One in particular has the beginning sort of cut off and I have no idea why I accepted that at the time.  Since I have the "source files" for the songs, I should "remaster" them in a sense and bring them up to a standard where I won’t need to worry about quality anymore.

What does that entail?  Well, I have to recreate the recording setup I had back when I recorded them.  This is not a trivial matter for me or for anyone who has ever attempted something like this.  While my case is relatively simple, imagine an actual professional musician trying to track down vintage synthesizers and recreating the patches that were used on each track.  It highlights the need for documentation in a studio.  I admit, I didn’t do hardly any – I never really gave it any thought.  So when I loaded up one of my old files and got a message about missing plugins, I essentially have to go hunting for vintage synthesizers.

After a certain length of time, there isn’t much hope for me to recreate some of the music as I would need thousands of dollars worth of older synths to do it, but a lot of my newer stuff used virtual synths and I still have that software.  I mean, most of it, I do.  Some I had to really go out and hunt for as it was discontinued.  I still don’t know if I have it all yet.  I’ve only worked on a couple songs.  Always keep backups of everything.

One of the bigger problems I faced is that I used a synth from the time that was on a sound card – the Yamaha SW1000XG.  I do still have that card, but I can’t install it in my new micro PC system.  I was able to find a virtual version of the same synth, called the SY50XG, but it had a serious problem where you couldn’t directly select the patches per channel.  You have to do patch changes through SysEx messages.  That’s not insurmountable, except for the fact that I don’t know the exact patch that I need.  That lack of documentation, you see.

So, money to the rescue, as usual.  The SW1000XG is supposedly a PC card version of the Yamaha MU80 synth module.  I was able to find one for under $150 on EBay, shipped from Japan.  When it arrives, I should hopefully have everything I need to recreate the old songs and remix them at full FLAC fidelity.  All I should have to do is change the port from what was the SW1000XG to the MU80 and the patch I had selected on the old synth should map right to the new one.

But even this overall process is a real pain.  My recording workstation is not comfortable.  I have the choice of standing or sitting on a wood stool.  The keyboard is a mini keyboard with embedded touchpad, like using a laptop.  And all this equipment is in my music room, so there’s no real space to stretch out.  I feel like I need to eliminate my guest bedroom and make that a studio room, but I don’t want to do something drastic like that yet.

Over the long weekend, I worked on the project on and off in something like 30-minute increments.  Most of it was installing missing software synths and testing them out.  The recording PC is not network connected, so if I needed anything, I would have to walk back and forth between that and my regular PC in another room, transferring files on a USB drive (they used to call that "sneakernet" in the days before widespread computer networks).  So that process was annoying and exhausting in itself.

But I guess the big positive takeaway is that I haven’t given up yet.

Follow-up edit:

It turns out the MU80 is not the same thing as an SW1000XG.  After receiving the device and integrating it with my setup, I tested it out on a track I knew to use a lot of Yamaha sounds.  Very specifically, the drum kit I needed didn’t exist on the MU80.  Research, which I should have done before purchasing, would have given me the information I needed.  One web site gushing about the SW1000XG having 1200 sounds and 46 drum kits, then a Wikipedia article for the Yamaha MU series listing the different models and their capabilities gave me the full story.

The SW1000XG came out in 1998.  The MU80 came out in 1994 and had 729 sounds and 21 drum kits.  The MU100 came out in 1997 and had 1267 sounds and 46 drum kits.  And, you know, even if I was dumb enough to ignore the timeline, I should have given some credit to the model naming scheme.

The end result is I have to buy a Yamaha MU100, meaning I now have an extra sound module that is of little use to me.  Luckily, they aren’t that much more expensive than the MU80, but still, double the cost kind of sucks.  I suppose I can sell the MU80 and recoup some of that cost.

Self-Hosted Album Art

I have an extensive music collection on CD, which shouldn’t be news to anyone who’s visited this blog.  I rip all my CDs to my local Plex server.  I’m a little particular about the album art for the albums.  I want it to be an exact representation of what is on the shelf and I want it to be in good quality.

For multiple varied reasons, I sometimes can’t find suitable album art online and in that case, I do it myself, scanning and cleaning up the cover art.  The result is something unique.  Duh, since I wasn’t able to find it elsewhere.  And I think it would be a shame to keep it to myself if someone else had a need for that artwork.

Up until now, I’ve been storing these files on Flickr.  It’s not been bad.  Even with their recent restrictions on free accounts, I don’t really have any worries of exceeding their limits.  But, as mentioned in past posts, I’ve been wanting to be more independent, so I made the move of the files to my own server.

And now you can get the cover art files from https://anachostic.700cb.net/AlbumArt.  It’s a little gallery that took all of about 45 mins to code up.  It displays smaller images and when you click one, it shows a larger image in a new window.  The small size is 500×500 and the large is 1500×1500.  These should be usable for anyone’s general usage.  You can save some time by right-clicking a small image and choosing Save Target As.

And now, when I add new stuff, I don’t have to go to a browser, open Flickr, log in, do the upload, and blah blah.  It’s a simple file copy for me on my network.  Easier all around.

Bring Out Your Dead

I have a problem.  Not really, but some would say, yes.  It’s my CD players.  I’ve discussed it little before and maybe joked about it.  It’s still kind of a joke.  here’s the continuation of that joke and my rationale.

So I have, let’s see.  Let me count them… 8.  Eight CD players.  Since the last time I mentioned this, I’ve added a JVC XL-V141, which is a 90’s player, and yesterday, a Yamaha CDX-520 from 1989.  This is the Yamaha:


My collection all meet certain criteria, partially for my promotional purposes if I get to the point of selling them.  All have physical power buttons (Off is OFF), all have headphone jacks, so the youngin’s can enjoy them without needing a full stereo.  Most have volume knobs for the headphones, which is a excellent touch.  You see, when things started getting cheaper, features got cut.  This is back when CD players were premium devices.  And yeah, these were about $300 when new.  Back in those dollars, which is probably $600 today.

So, I had purchased this neat new player for $25.  I was eager to try it out and clean it up when i got home.  Right away, I plugged it in and gave it a smoke test on a CD and headphones.  Tray opens and closes, that’s good, the disc TOC reads, good.  Ohhh..  It has a chronic skipping problem.  It just stutters all over the track like it’s on fast-forward.  Damn it.

Pop the case off and look around.  I don’t really know what I’m looking for, just something out of place.  It all looks good.  I push a bunch of buttons and I notice that the CD doesn’t skip on later tracks, more on earlier tracks and chronically on the first track.  This is a clue, but I don’t know what it means yet.  This is pretty much what I had in front of me:


While I’m reading my CD player repair document and looking over the player’s schematics from its service manual (which mean nothing to me), I go back and forth between the computer and the player.  Stopping and starting the player over and over.  Oddly, now it seems to be skipping less.  Then it’s not skipping on the first track anymore.  Is that all it was?  The player was tired and had been sitting too long, maybe just needed to warm back up?  What a crazy solution to the problem.

I tried a few more CDs.  Nope.  Skipping was still there.  So, I considered the problem wasn’t electronic, maybe mechanical.  Maybe the gears and rails for the laser transport needed cleaned and lubed.  I disassembled it and lubed up the moving parts with silicone lube on a swab (not recommended around electronics, but I’m stubborn).  Not any better, maybe worse.  Well, I’m going to have to level up on my repair skills.

The repair manual discussed adjusting the lens tracking and focus using potentiometers on the circuit board.  The troubleshooting guide also said tracking issues would cause skipping.  Ok, let’s do this.  $25 already gone, right? 

I took a picture of the pots before I fiddled with them just to be absolutely sure.


While a CD played, I slowly twisted the left pot and the skipping got worse.  Well, that’s a change in some direction, so I felt I was on the right track.  However, I couldn’t get things to get any better.  In fact, I experienced something the the guide warned about, with the CD spinning out of control at very high speed.  So, after powering the player down and resetting the pot to neutral, let’s try the other one.  In a couple small changes, suddenly the transport quieted down and didn’t seem to rattle anymore.  The skipping stopped!  This is the setting I ended up with:


It’s not a major adjustment, but I imagine it’s not supposed to be.  I’ve been testing out the player on multiple CDs and no more skipping issue at all.

So, my little joke of a collecting problem has given me a new repair skill.  Formerly, my repair abilities were limited to changing belts, which honestly is pretty good and has brought a couple players back from the dead.  Now I have a new solution for a new problem under my belt.  I can fix even more players now.  A good hobby is one where you continually grow, right?


As mentioned in previous posts, yes, I’m re-exploring music.  I have purchased and set up my recording PC and now I have to focus on the devices.  This had led me to a difficult decision.

I have a keyboard that has been with me for over 20 years – the Roland RD-600.  It’s been an excellent device and I am very familiar with playing it.  However, over the years the keyboard has worn out.  Some keys will break, or more specifically, the hammers on the keys will break.  I’ve dealt with this for many years, replacing hammers one by one as they break.  It’s an annoyance for sure.  I even have a small cache of spare hammers that I purchased from the manufacturer when this first became a problem.

And it’s still a problem.  On day two of having my rig set back up,  I broke a hammer.  I took the RD-600 off the stand, flipped the board over, and undid all the screws to open the case.  Replaced the hammer and flipped it back over to resecure the case.  Put it back on the stand and another hammer had broken during the repair of the first.  I give up.  I put the kb back in its road case and brought out the other keyboard.

Now this other board is an Alesis QS8.  I bought it at a thrift shop for $100.  It had issues right out of the gate with being out of tune.  I was loathe to throw it away though and figured now I could do some tests on it.  I determined that the MIDI functions still worked (that they were sending the right notes), which is what I primarily needed for recording.  I also found the setting where I could retune the device, and things were looking a lot better now.  However, further testing showed that the pitch problems would randomly reappear, requiring another manual retune.  And as far as the MIDI was concerned, there was some random data being spewed out from a wheel controller that I had previously physically disconnected.  So, this device is not suitable for recording either.

I have two bum devices.  My choices are, replace or repair.  Buying a new device of the caliber of the RD-600 or QS8 is a $1600-$2700 purchase.  Along with that purchase comes a new keyboard action, which I may hate.  Obviously there’s going to be more modern features and technology involved which is a distinct positive, if I wasn’t planning on using virtual instruments anyway.

I investigated replacing the hammers in the RD-600.  I can’t recall how much the initial batch cost way back then, but on eBay, each hammer is currently about $10 plus shipping.  It’s probably looking like about $1000 to replace all the hammers in my 20-yr old keyboard.  I contacted Roland directly to order the parts and they simply refused to sell any replacement parts to me and told me to take to an authorized repair center.  Bastards.

So now the question is, spend $1000 or $2000?  To complicate the matter, if I do refurbish the RD-600, I’ll never get that money back.  Street value of an RD-600 has to be well south of $500.  Hell, I only paid $650 for it twenty years ago.  I would spend more on refurbishment than I did when I bought it used.  But, this is a board I am intimately familiar with, and if it lasted 20 years once, it will last again until I’m long gone.  The alternative?  I can buy a new keyboard with new technology (maybe more durable, maybe not), may have better action, maybe not, may be a lot of things and may not.  If I don’t like it, I can sell it.  Sell it for what, 80% of its purchase price?  75%?  Less?  Will I lose more than I would pay for the RD-600 hammers?

And it’s shit like this that keeps me from going anywhere.  Weighing the pros and cons and never making a decision.

Oh, what about the other kb, the Alesis?  Well, I have an open inquiry to a repair shop to see what it will cost for repair.  I’m sure I’ll have to pay a bench fee, but that’s reasonable to know whether the kb should be repaired or checked.  The problem isn’t mechanical like the Roland, but it is electronic.  That could be better or worse.  But it won’t be $10 88 times over.

But I made a decision anyway.  The Roland is going to get refurbished.  I think it deserves a second life and I’ll be comfortable using it for recording.  My decision was made on a few different points.  First, Roland makes no mention of the RD-600 in their support pages, so I don’t think the hammers will be available for too much longer.  Second, I found an eBay seller selling one octave of hammers (7 white/5 black) for $120 with free shipping.  With 7.2 octaves in a piano, I would be pretty safe buying 7 of these, for a total of $840.  That’s not $1000 and it’s not $2000, and it’s not $2500, which is the price of the new keyboard I tried that had a hammer action I liked.

The seller was unwilling to discount his price for a purchase of seven octaves, because he knew what he had.  He knew the part was either discontinued or was soon going to be discontinued and told me as much.  I paid his price.  And I still will pursue repairing the Alesis, for the right price.  There’s a small part of me that wants to rebuild a whole studio with racks of 80’s and 90’s physical keyboards, but holy shit is that an expensive idea.  Obviously, a lot of those sounds are coming back into vogue with new music, so prices have been soaring.  Pawn shops used to be used device gold mines, but I can’t imagine any shop not doing their EBay research and finding out the value of what they have.  So virtual devices will still be the way, with a solid controller.

One More Time Before I Go

A little more information on something I hinted at in a previous post… I’m still quite reluctant to say much about it because I’ve done this time and time again with no success or completion.  Hopefully, without having any expectations, I can meet my expectations.  The "news" is that I have pulled my music gear out of storage and set it up again, with tentative plans to do some recording.

There were multiple reasons I came to this.  I had some inspiration listening to some albums and wanted to see if I could still compose.  I wanted to do some justice to older pieces by re-recording them properly.  My hands and fingers are getting old and weak and I thought maybe playing would return some strength to them.

The last recording I had done was in 2008, when I wrote a bunch of heavy guitar songs for an album.  My voice was unable to perform well enough to do the vocal tracks and the audio was marred with recording glitches like audio bleed from other tracks.  But, the point is, I haven’t done music in over a decade.  Obviously things have changed since then, but I will still be doing things the way I have always known.

Step one was to see if I could even still play anymore.  I pulled out the keyboards and set them up in my music room.  With some headphones plugged in, I tried playing some familiar songs.  To my surprise, the muscle memory was still there.  I remembered most of my old songs, with some stops and pauses to refigure out bits here and there.  The playing was sloppy as I expected and my stamina was greatly reduced, as I also expected.  I only spent about 30 minutes or so that first day to get familiar with the keys again.  The next day I spent another half hour or more with other songs and my stamina had jumped surprisingly just in that one day.  Now, here on day three, the joints in my left hand are sore AF, so maybe I overdid it.  But, the future is somewhat promising.

If I’m going to do this, I’ll need a new computer for recording.  The second computer I had laying around was converted into a web and email server a while ago, so I need to make another purchase.  Here’s the thing.  Technology has advanced SO far since I was last doing this (13 years!), I don’t need to buy a 4-figure computer.  I don’t even have to buy a full-size computer.  I bought a refurbished mini computer for $300 that exceeds the power of any computer back then.  And of course, I needed a new monitor and keyboard.  This time, what I am doing is buying a floor stand for the monitor and a bracket to mount the mini PC behind the monitor.  I’ll place the stand behind my keyboards or mixer and can move it as needed.  New technology is really cool.

Without any real goals or timelines, I’m going to relax and get familiar with the software again.  That has always been an issue with me – the process of recording gets in the way of recording.  There’s a universal image of artists working in a home studio, laying down tracks and fiddling with effects and editing and whatnot, but the notion to me of having an engineer handling and managing all the recording process where the musician can focus on actually playing and making music – that’s the real thing.  And sadly, the evisceration of the recording industry has made that concept a rarity.  Still, I am a one-person team, so I have to do what I can.  In the past, I have rushed all my projects because I have had to wear multiple hats and if I spend too much time wearing one, the others suffer.  In the end it all suffers.

So, It was 2000 when I did my last keyboard album, 2006 when I finished my last Sequence album, 2008 when I finished my hard rock guitar album, and I’ve been wanting to start the loop over again for a long time.  Looking back in the journal, it seems like I had recording aspirations in 2014, but I had other interests going on at the time.  It seems the only time I can really compose and record is when I’m single.  So, now’s the time!  Still, no promises.

Log On

Is there anything in the world that holds as much promise as a brand-new, unspoiled writing journal?  Conversely, is there anything sadder than a stack of journals with a few pages written in them, unable to be reused as much for their lack of virginity as for their obvious lack of positive energy, the evidence of their quality displayed (or rather not displayed) in the massive number of empty pages within.

I had a $5 free money coupon from Staples that I needed to spend (I never turn down free money), and initially I was going to buy some boxes so I could continue selling some of my excess CDs.  The Staples near my work didn’t have any boxes in the size I wanted, so I had some extra time to think.  During that thinking time, I had a idea for a log book and was unable to find any suitable journals in my house to accommodate the info.  Putting my idea and free money together, I purchased a new book today.  With coupon, it was essentially half-off.

And it’s a really nice journal.  I am really a sucker for clever journal designs.  I was initially considering a simple lined journal, where I would make dated entries in a linear format, nothing fancy.  But this journal had a neat calendar type design in the top margin to indicate the date, and well, that’s really all it took.  It also came with a plastic bookmark with stencils in it for drawing shapes, stored in its own pocket in the back cover.  Not only that, but the book also has ribbon bookmarks in the spine.  And not just one ribbon, but three – in two colors.  Talk about overachieving!

So I have this awesome new journal, full of potential.  What will be its duty?  Old-world scrobbling.  Scrobbling is a modern term for software that logs/records your music playing activity.  When you are listening to music in a non-networked fashion, as I do now, you use a log book.  I had once read online about people who keep a listening log book in their music room and faithfully record what they have listened to each day.  I found it interesting, but interesting for them, not for me.  Now at the time I had read these stories, I didn’t have a dedicated listening environment, not even really a stereo to speak of.  That might have been part of the missed connection. 

What brought me around to thinking I needed to do this?  There are a few reasons actually.

The first reason is that I have a lot of CDs, closing in on 2,000.  I don’t want to end up being one of those guys that listens to the same 10 albums all the time.  I need a reference log to see if I’ve listened to a particular album recently.

When I listen to an album, or when I want to relisten to an album, or when I want to choose an album, it would be helpful to have some listeners notes.  Descriptions of the sound quality, of things I noticed for the first time in the songs.  If I get a new version of a CD, does it sound better or different than my existing version?  That’s useful to me and to others that may want to hear something in particular.  I will have a reference of good or great sounding albums.

Another reason for having a log is the permanence of the log itself.  Sometimes I find that listening to music is almost a pointless activity.  It shouldn’t be.  Pointless is a bad choice of words.  It’s passive.  Don’t get me wrong, I do enjoy listening to music, but it’s like meditation, maybe?  You’re either in the zone or not and those two worlds don’t really intersect.  By keeping a log, it’s sort of reaffirming, "yes, this happened" or "this night was not wasted".  I don’t think I’m explaining this part well enough, but the point is, there is a record of an activity so that the enjoyment of the activity is not lost or forgotten.

I had planned on beginning the log at the beginning of 2021.  Like a new year’s resolution or something like it.  But resolutions are really a dumb idea.  The best time to begin a new task is today.  Right now.  If this log ends up on the top of my unfilled journals in two months, it won’t matter which month that final entry is made.