Marketing 101

There is an idiom from the the 1800’s: “hang out one’s shingle” which means to put out a sign saying you’re open for business.  I suppose that was a sufficient way of doing things when the world was small and everyone you knew was right around you.  Plus, there was much less competition back then, too.  You had your town doctor, lawyer, barber, woodworker, etc.

That is not the world anymore.  Now there is much more competition and you must stand out from the others that would take your business.  You should always put your best foot forward (another idiom) to represent your business.

So why, why, why, do people make hard-drawn signs for their business?  Specifically, I am referring to a sign I saw over the weekend that gave me the chills.

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That’s not the only time I’ve seen something like that, but it’s the worst example of its kind.  Now, aside from the spray paint stencil lettering that looks nothing like blood splatter, there’s the important information, like contact info.  It’s written in tiny letters cramped along the bottom.  How are you supposed to read that from your car?

Then there is the issue of legitimacy.  If you can’t see it, the sign says they are “License”, complete with quotation marks.  I don’t know if it’s worse that they don’t know that the correct term is “licensed” (which, btw, I followed a truck this morning that said “License and Insured”) or that they don’t know that putting things in quotes makes those things questionable.  In either case, I don’t think I would trust their intelligence to supervise children.

But let’s recap the idea of hanging out your shingle.  I’ve been involved in some business ventures.  It’s not easy; I’m not cut out for it.  But, I think if you’re going to go into business, you have an obligation to everyone to be professional.  You know, that sign on the side of the road doesn’t only represent you, it represents all of your customers as well.

Let’s say you personally don’t have an issue sending your kid to a place whose signage suggests it is a house of horror.  And if someone asks you for a recommendation, you say they have the sign out by the stop light down the road.  That person’s impression of blood-sign marketing may be disgust, which then alters their opinion of you.  As they say, you will be known by the company you keep.  Always align yourself with reputable associations.

If you’re going to go into business, do it right, or please don’t do it at all.

It’s Happening Again, In Reverse

Back in 2011, I wrote a post about how my savings account with HSBC had reached a point of uselessness.  There was a steady stream of email notifications saying my interest rate had been cut.  I left that account a long time ago and went with Ally Bank.  Ally has been really good to me.

Although it is a symptom of the times, Ally continues to be good to me, sending me frequent emails that my saving interest rate is getting better.  That’s a lot more pleasant than HSBC’s emails, which were, honestly, a product of the times as well.

My old post about HSBC spanned about 3 years, where I’ve only been noticing the more frequent emails from Ally for a couple years now.  Like my old post, I’ll summarize the changes I’ve been notified on.  Enjoy.

4/24/17: …And in the spirit of doing it right, we wanted to let you know that your rate just went up. 1.05% APY

9/7/2017: This just keeps getting better. The rate for our Online Savings Account went up again! 1.20% APY

10/31/17: It’s happening again. The rate on your Ally Bank Online Savings Account went up even more! 1.25% APY

1/23/18: It’s time to celebrate! The rate on your Ally Bank Online Savings Account went up again! 1.35% APY

2/12/18: With this increased rate on your Online Savings Account, it’s a great time to stash more cash.  1.45% APY

4/27/2018: At 20X the national average, your rate gives you greater earning power – so every penny is working harder. 1.50% APY

5/11/18: Now, with another increase on a rate that’s already more than 20x the national average, you won’t just be saving money – you’ll be making it.  1.60% APY

6/15/18: Good things are happening again with your Ally Bank Online Savings Account. The rate just increased so you’re now getting more for your money. 1.65% APY

6/29/18: We’re back with another rate increase for the 6th time this year! Within the last 6 months, the Online Savings Account rate has gone from 1.25% APY to 1.75% APY, which means your money is working even harder.  1.75% APY

8/3/18: It’s only been a little over a month since we raised the rate on your Online Savings Account, and we’re already back at it again with another increase.  1.80% APY

8/31/18: Celebrate our 8th rate increase of the year by maximizing your savings so you can earn more. 1.85% APY

This sounds awesome and all, but if you’ve looked at my HSBC post, you’ll see my savings account there started falling from 3.50% APY.  We still have quite a way to go.  What I have a slight nagging worry about is that the stock market is floating in space with not much support under it.  A lot of the gains are from corporations buying back their own stock to reward executives and stockholders.

So either the companies are taking out loans to do these stock buybacks or they are spending their mountains of cash built up during the recession.  If it’s the former, well, we have rising interest rates.  If it’s the latter, well, that money could have been spent in other ways – just sayin’.

So yeah, the thing I’m worried about is another market crash and recession, but without the extreme efforts taken by the Fed last time with regard to interest rates.  So what we’d have is another episode like the 70’s where home and auto loans were like credit card interest rate levels.  I was too young at the time to be impacted by the “Great Inflation”, but I have read a nice summary of the event.  And they say history just keeps repeating.

Falling From Grace

In this here blog, I have alternately praised and condemned Burger King and their food.  And for the longest time, I didn’t eat there.  A long time ago, I might randomly drop in to remind myself why I hated it so much.  Wendy’s is another place I stopped going to regularly, also documented in this here blog.  I would rarely stop in and when I did, I would leave full and disappointed.

These two places are what I consider third-tier dining.  Over time, I elevated myself to places I consider second-tier.  Conveniently, in the current economy, you can simplify this scale of mine into how many $10 bills it takes to get a meal.  Third-tier meals typically cost less than $10.  Second-tier is $10-20/meal, and first-tier is over $20.  So, yeah, I suppose my business-class, expensed travel meals that were something like $70 rate about the same as a meal at Kobe.  That kind of sums up how refined my palate is.

But anyway, it was early sometime this year that I had made the comment, “I’ve eaten at Wendy’s more times this month than I have in the last few years.”  I can’t really say why Wendy’s fell back onto my list of viable dining places.  I think it was an alternative SadMeal™ at the time and it kind of stuck with me.

Today marks the second time within a week that I’ve eaten at Burger King.  One of my biggest gripes with the place is that the double cheeseburger is hardly worth the effort to eat.  But on the random decision to eat there one day, I saw on the menu (which was totally different than I last remember it), they had a thing called “Double Quarter Pound King”, which looked essentially like a double whopper with cheese, or, to my excitement, a larger-than-old-times double cheeseburger.  And I bought it right away.

The taste of the burger was awesomely nostalgic and the fries even seemed to be better than I remember, too.  I left that day with a surprisingly positive impression.  Today, when I went back for a repeat visit, the smell in the restaurant took me back to my hometown.  (Fun fact: When I was much younger, I worked at that BK for two weeks and two days.  On my second day, I decided I didn’t like working there and put in my two-week notice – and fulfilled it)  Today’s experience was slightly marred by an undercooked patty, but I ate around the pink (heh) and was still satisfied at the end.

Despite the unmistakable smell of a Burger King that surprises me when I get inside, the other thing that surprises me is the way the place makes me feel – sad.  For a very long time, I’ve held the impression that BK is probably about as low as you can go in the burger world.  I know that’s not absolutely true, because I’ve been to a Krystal once, which resulted in me coining the term, “meat pringles” to describe their burger patties.  But anyway, watching people buy and eat BK food fills me with pity, that they may not have better options available to them.

I’ve always thought the only reason I’m still alive today is because I was able to elevate myself to eating at second-tier restaurants, where the quality of food is higher (possibly only marginally).  So, with that personal impression, maybe it’s a little weird to regress and start eating less healthy options.  But, at the same time, as I get older, the more I want to just enjoy the current moment.  (Fun fact: when I was much younger I always thought going to the bathroom was such a waste of time, like I had so many other things I’d rather be doing.  Now, going to the bathroom at work is a chance to actually relax and savor.  It feels like the only time I can be alone with my thoughts)

The non-point of this post is just to document a moment when I might just be slumming it in the dining department, or it may retroactively identify that 2018 was a turning point in my dietary standards.

You Shall Be Known By Your Stars

A while ago, I had read a post online by a music collector where he had just completed a goal of listening to and rating every song in his library.  It only took him five years to do it.  Bravo for that level of effort.  The consideration of doing something similar for myself led me to attempt to define what a rating system would look like for me.

The “for me” thing is the most important part.  Ratings are entirely subjective, and still at the same time, they must be well-defined and rigid.  That feels weird to me, “this is precisely how it must be… for me.”  But weird or not, in order to begin rating my albums (and/or songs), I need to have a stick to measure with.

In my consideration of rating my music, I determined that there’s two levels of ratings, at the song level and at the higher album level.  These two ratings more or less correspond with the way I would listen to the music, either absorbing an entire album at a time, for example, playing a CD while driving, or, listening to a playlist while sitting at a computer or through the Plex server.  So, having the two different types of ratings is moderately important.

A 5-star rating applied to a song is pretty straightforward.  How much do I like the song?  That’s an important question because the question is not, how good is the song? That open-ended question carries with it every sub-question imaginable, summed up as, how good is it by what metric?  So, every song would start at 3 stars, being neutral, and the likelihood I’d want to hear it again adds or subtracts one or two stars.  But, I don’t plan on rating every one of my songs in any near future, so I don’t feel concerned with this scheme.

Albums, though, would get rated on a totally different scale and I thought hard on this.  The answer lies in the composition of the songs on the album.  My scale is as such:

5 – A top-notch album.  Any song could be played individually in a playlist and the album would be enjoyed played beginning to end.

4 – An excellent album. Most songs could be included in playlists, but the album is stronger than the individual tracks.

3 – A good album.  Some songs could be included in playlists, and the album could be played beginning to end without feeling the need to skip any tracks.

2 – An album with some good songs.  A few songs could be included in playlists and some songs would be skipped when playing as an album.

1 – Few to no good songs.  Very unlikely the album would be played except to hear the good songs (if any).  It might be a curiosity or kept for completist reasons.

Here’s the problem with rating things.  People want to love things more than they really do.  They tend to ignore then flaws and focus on the good.  That’s great in the world of human relations (although it’s just as unsustainable as in any other application).  So, in rating my music, it was important to have a clearly-defined way to avoid excessive 5-star ratings.  Once it was absolutely clear that 5 stars was highly-rarified territory, and that it wasn’t through any fault of the artist, the pressure of saying an album is “the best of the best” subsides.

To explain, consider an album that has some segue between songs, presented as another track.  It’s unlikely you would include the short 30 second clip in a playlist, thus – excluded.  4-star max.  Or you have an album like Jethro Tull’s Thick As A Brick, which has two 20-some minute tracks.  It’s not likely you want your playlist to be stalled for 20 minutes.  Same for Rush’s 2112.  Alternately, maybe a long song is chopped up into multiple tracks.  The song would make no sense played on shuffle in a playlist.  These examples explain the emphasis on “album” for the 4-star rating.  The album is designed as a linear experience, and there should be no shame that it is capped at 4 stars.

The interesting aspect about that rating system is that mediocre albums can be 5-star.  If there’s an album – I can think of a couple of jazzy instrumental albums – where every song stands on its own and could be played individually, but it’s not an album that particularly excites me.  So all the songs would be rated as 3 stars, but the album itself would be 5 stars.  These would be cases where I would add an entire album to a playlist instead of individual songs.

Along with the stress of wanting to rate albums higher than they belong is the admission that an album is not strong as you want it to be.  Tastes change, so that shouldn’t be an issue, but you know, I used to play that album all the time!  I am curious to see how many low-rated albums I really have.  I would guess it’s probably higher than I would expect, because I have been branching out into lots of different artists simply because it’s so cheap to buy CDs. 

But the bottom line is, the baseline rating is 3 stars.  Would I put the CD in the car and listen to it all the way through?  If I would skip tracks, it drops to 2 stars.  I probably wouldn’t even take a 1-star album in the car. *cough* Spin Doctors *cough*

The Superior Feeling

To somewhat paraphrase that Shania Twain chorus, “God, I feel like a God today.”  I’ve mentioned before that being a programmer is the best thing in the world and it’s the closest you can get to being a god.  Parents, you may think you get to play god, too, but there’s a little issue with deleting your creations when you’re done with them.  So, being a programmer is still the best.

I’ve mentioned before that one of the best things about programming is the ability to automate.  Taking what would be an insurmountable task and making it simple.  And that is what I managed to do today.  As I’ve mentioned before, I’ve set up a music server in the house, Plex, and in prior posts, I’ve talked about my digital music collection.  Occasionally, I mention that the metadata in the files needs improvement.  And that is also what I’ve done.

Metadata in digital files can be as extensive as you want them to be.  At a minimum, you want the artist and song title to be in there, because most players display that important identifying information.  You can go further and add the album release year and genre, so you can sort and group things that are of similar values.  You can go further still and embed artwork in the file, usually the album cover, so your music player can display that, too.  You can go even further than that and put the lyrics for the song in the metadata so some players will show you the lyrics while the song plays.  That is where I am at and it is what I have done.

There are utilities that let you edit the metadata directly, so you can create a new tag and paste in the lyrics for a song.  But, is that even fathomable to do with over 15,000 songs?  There are tools that will let you look up the lyrics to a song and create the tag automatically, but still, song by song.  I never got to the point of finding utilities that would process a whole album at one time, because I realized I could do it better.  I could do it exactly as I needed it to be done.

With Plex, there is no support for embedded lyrics in the metadata.  Instead, they use what’s called a “side-car” file, which is the same file name, but different extension.  So you have your .flac file and a duplicate .txt file with the lyrics.  Ok, that’s pretty crappy, but I can do it.  But, if I’m going to go through the trouble of getting all these lyric files, why not embed them at the same time?

So I did a quick search online and found a code library that would read and write FLAC metadata.  That’s the only thing I couldn’t do on my own, so I was golden now.  I learned of a website that had a simple means of downloading lyrics through their website, as long as I stripped out everything else from the webpage.  A simple RegEx statement accomplished that.  Writing to a text file, recursing through directories,  all that is simple stuff.

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So, I process each artist in a batch, which enumerates all songs for all albums.  One button click to retrieve all the lyrics for all the songs, then a review of any songs that had no matches.  Correct the titles for the non-matches and get lyrics again.  Then a button to process the lyrics which both embeds the lyrics in the FLAC files and also creates a sidecar text file with the lyrics.  So, if all goes well, one double-click on the artist folder, click on Retrieve Lyrics, scroll to confirm that all lyrics came in, click Process.

So, yeah, I do have to process a little over 500 artists, but that is substantially better than thousands of albums or many thousands of songs.

Junk

A quick recap of my life in my house.  I bought the house with my then-fiancee in 2005.  We got married, then divorced in 2010.  I took full ownership of the house in 2016, and that was the end of that.  But you know what refuses to end?  My ex’s mail.

Mail is a pretty well-protected delivery medium, in theory.  In practice, it’s hardly protected at all, with theft and whatnot.  But anyway, you’re technically not allowed to do anything with another person’s mail.  And for a very long time, I was living alone in my house, with all my ex’s mail still being delivered.  I filled up five large garbage bags of her mail for her to collect when she would return.  As you would expect, nothing came of that.

And even after the house became mine, she never filled out a change of address form, so I continued to get her mail.  Technically, I can’t throw it away.  Technically, I can’t contact the sender and tell them to stop sending to this address.  Technically, I can’t fill out a change of address form on her behalf.  There’s really only one allowed course of action: Return To Sender.

So back in April, I finally took action and purchased a rubber stamp:

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And I have dutifully been stamping every piece of her mail and putting it back in the mailbox to be sent back.  A couple of days after I started this, I got some pieces of that mail back (with my stamp on them!) and I learned this can happen because the automated postal systems read the barcode below the address for delivery.  So I started blacking out the barcode with a sharpie.  And since then, the mail has been tapering off.

The mail coming in could be classified as three levels of importance.  The top level would include bank statements and government correspondence, like the State Department of Revenue (you have no idea).  These mailings stopped after the very first return to sender stamp, as you would expect them to.  The next level would be things like bill collectors (you have no idea).  These did stop after being returned, but it’s also a game of whack-a-mole because there’s always some new collections company buying up old debts.  So, I may be living with these for some time.  The lowest level is presorted junk mail.  These have been sent back countless times and it’s very difficult to get them to stop.  I hope they will at some point.  My guess is they just throw all the returned pieces into a bin and process the addresses whenever they have some free time.  And most larger companies have multiple independent lists, so each department has to get a returned piece and process it at their leisure.

I’m hoping to get to the point of zero mail for that addressee, but you know, there will always be the companies that sneak it in with “…or Current Resident”.  Maybe that’s what they mean with the “’til death do you part” stuff.  They’re referring to junk mail.  But even that’s not true.  I get mail addressed to her dead father, too!  “Not at this address”, indeed!

New Cat Journal, Part 3

It’s been almost a month since new cat Spock (formerly known as Charlie) arrived in the house.  To recap, on his arrival, he crammed himself into the farthest corner of the house, in my office.  It took a few days for him to leave the office and begin exploring the house.  Then he opened up and started being obnoxious.  He’s a talker.  He talks to himself all the time as he wanders the house.

Suddenly one day, he started hiding under the bed and didn’t want to come out for anything.  Coinciding with that event, I had moved his litter box and now had a pile of diarrhea where the box previously was.  A trip to the vet was inconclusive.  To try and calm Spock down, I started playing music in the house.  Whether it was the music or he just got over whatever sickness he had, things went back to normal.  The vet had wanted to put Spock on anti-anxiety medication, but that’s just something I can’t get behind.  The vet also suggested a pheromone diffuser might help.  I had tried one back when Bubbles and Rump were constantly fighting and it didn’t have any effect on them, so I wasn’t fully on board there, either.

Last weekend, the GF and I made an attempt to get everyone together.  That meant bringing the dog and the new kitten into Spock’s territory.  The house was segmented into three areas.  The guest bedroom was occupied by the kitten, the master bedroom and lanai were Spock’s domain, and the dog had the rest of the house.  For the most part it went ok.  Spock hated most all of it and spent as much time as possible under the master bed.  He puffed up like a balloon when he saw the dog and hissed nonstop at the kitten when he was dragged out to socialize.  However, despite all that stress, I was still able to teach him how to use the cat door out to the pool area.  After everyone went home, Spock had to re-investigate the entire house again.

The GF made the decision that the Feliway diffuser should be tried and ordered one to be shipped to my house.  When the package arrived on Sunday, I immediately set it up and plugged it in, in the outlet right above his food bowl.  Within a few hours, Spock was actually hanging out in the living room, not hiding under the master bed.  He stayed in the living room most all day.  He wandered less and meowed less.  It was a dramatic change in behavior over the previous days and even over the past month.  Spock was actually normal.

I’ve successfully relocated his litter box out of the office, which is good, although the carpet is now ruined and will have to be replaced.  Oh well, it was due anyway.

Migrating Music

I had mentioned in my last post that I was testing out the possibilities of streaming my music collection throughout my house and elsewhere.  The experiment has been pretty successful and I believe the cat is all the happier for it.  Some of the “phase 2” features I’ve been digging into haven’t been as easy to implement as I would have hoped, but there’s no rush on any of those.  But in the process of learning and applying, I made what could be considered a radical change to my music collection.

In long-ago posts, I’d talked about ripping my CDs to MP3, then re-ripping them in WMA Lossless only to delete it all and keep my MP3s.  Then the light bulb came on and I re-ripped them again to WMA Lossless and have kept that library for years now.  It’s grown to nearly 450GB and has served me well all this time.

Why WMA Lossless?  Well, I was in the Zune ecosystem all that time.  The Zune software was compatible with WMA and it was the only way to get lossless files onto the players.  For many years the open source crows have been squawking, “FLAC! FLAC, FLAC!” and I have been ignoring them.  Because of Zune, of course, but also, all the available FLAC music players sucked.

But finally, Microsoft caved to the pressure and built FLAC support into Windows 10, and the Groove player also now supports FLAC.  I still had my WMA library and was fine with it.  But in reality, I didn’t really use the Zune software much anymore, I just used VLC (which supports FLAC) instead. 

During my experimentation with Plex, I enjoyed a neat little feature that lets you see the current server activity.  That means I can watch the living room TV’s stream and see what song my cat is currently listening to.  Something that caught my attention on that screen was a status that said “Transcoding WMALOSSLESS to AAC”.  This was mildly concerning.  It meant that my media server was spending extra CPU converting my media files to a format the Roku on the TV could handle.  My server is pretty beefy, so like I say, it was only mildly concerning.  However, when I streamed my library to the GF’s Roku on her TV, I experienced some slight dropouts or other minor disruptions in the audio.  I wasn’t sure if this was a bandwidth problem or a conversion problem.  I read up a little on FLAC and it seemed FLAC might be a better choice for efficient decoding and possibly for streaming.

I gave this a little consideration.  If I converted my entire library to FLAC, it’s likely I wouldn’t need to do any transcoding anymore.  I could still play my files with VLC or Groove or Plex – no more Zune devices.  Is there really any downside anymore?  And so, I downloaded a program to batch convert my entire collection to FLAC.  It was about 4 hours of processing time, which actually isn’t too bad.  All the metadata was preserved (and some bad data was exposed along the way).  And I saved about 50GB of drive space, too.  I deleted my old WMA files and replaced them all with FLAC.

Because my collection was all new files, I had to refresh the Plex database, which probably means I’ll have to clean up the artwork again, but that’s fine.  I also need to rebuild the playlists I’d been curating, which is more of a bummer, but hopefully it’s a chance to do it better this time.  I quickly recreated the cat’s playlist and when I streamed it to the TV this morning, the activity monitor in Plex stated “Direct Play”.  No more transcoding – success!

Because I’m generally a contrarian, it hurts just a tiny bit to fall in with the FLAC crowd, because they’ve always been a bit pompous, like “if you’re not using FLAC, you’re an idiot” in the same way Linux people tout the wonders of their chosen OS.  But, the solution is working and I can’t complain about that.  So, now I have an Android phone and a music collection in FLAC.  I suppose the next thing I need to do is start coding in PHP and Angular.JS.

KATT Radio – Late Night Jazz

My CD collection is pretty large right now.  I’ve surpassed 1200 albums and I’m not sure there’s ever going to be an end to the growth.  Sometimes, the realization of this prompts some soul-searching and the question comes up, “why?”  Yes, why do I do this?  What is the actual goal?  There is no real goal, it’s just an ongoing feeling of happiness, tending my collection like a garden.  But sometimes, the thought sneaks in, “That’s a lot of stuff to have.  You can only listen to one CD at a time.”

That’s right.  It is a lot of stuff for such a limited use.  It’s too bad I couldn’t share the awesomeness of it all with people.  And that thought led me down a path that ended up with me considering another potentially obsessive hobby – running a radio station!  You can get low-power AM radio station licenses pretty cheaply.  I started thinking up radio programs and what kind of expenses would come along with such an idea.  Everyone knows there’s no live radio now and all DJs pre-program their sets in advance.  I could easily do that, right?  No one really wants to hear my voice, so it wouldn’t be a banter kind of station, just music.  Hell, anyone can create a playlist, right?  That’s all a radio station is anymore.

But that idea faded as I thought about the reality of trying to make enough music shows (I mean playlists) to keep the station interesting (as I daydream about upending my local radio stations… ha).  So I considered an easier route:  An Internet radio station.  And I researched that and found I could get licensing for about $60/mo, and the licensing software would integrate with some common radio software.  I looked in the radio DJ software and immediately felt less enthusiastic.  It’s like my dilemma when I want to do music.  You have to master this software before you can actually start a project.  And by the time you understand how, you don’t care anymore.

At the same time I was kicking around this idea of broadcasting in my mind, I was pursuing another thought.  The idea that I had all this music doing nothing was nagging at me a little.  I do rip all of my CDs to my home computer (sitting at about 430GB right now) for playback at my desk.  And the idea that I could only really play it at my desk was a slight annoyance.  That’s a lot of music to sit there and do nothing.  So I gave consideration to how to broadcast it.  It would be a nice start to have devices throughout my home that could play my ripped music.  It would be even cooler if I could play it from my phone, anywhere.

As it turns out, there is such a way to do it.  Actually there’s plenty of ways to do it.  And the idea wasn’t all that new to me.  Back in my Zune days, there was a way to have Zune broadcast your music and videos to an XBox.  And I was actually sort of on board with that.  But since I never actually went through with buying an XBox and pursuing the “media center” dream, I had to reconsider my options.  As it turns out, the old XBox software grew up and broke its dependency on XBox.  That software is now called Plex.  And this software will broadcast to all kinds of devices, near and far.  Lots of people use Plex to share their music and videos with their friends.  That’s pretty cool, whether legal or not.

So I installed Plex on my home computer and had it go to town on my music library.  It grabbed a ton of info on my albums and artists from last.fm and it was flexible enough to let me edit anything left over on my own.  I went out to my living room and installed the Plex client on my Samsung TV.  It worked, which was impressive.  What wasn’t impressive was my TV’s sound quality.  So, I wrote the experiment off as useless.

Fast forward to today, I was dealing with cat issues.  My new cat has millennial-grade anxiety about everything.  Every sound freaks him out.  He hid under a bed for days, leading me to think he was dying.  But in the short time I’ve had him, I’ve discovered he likes music – a lot.  He likes a lot of the new age, smooth jazz instrumental music I like.  So I thought I would start playing it while I was out of the house, maybe to keep him chilled out.  I was getting ready to grab a Sansa Clip MP3 player and was sort of dreading all the work that would go along with that.  The player needs charged, I have to choose the music to play, the music has to be transcoded to fit onto the Clip, there won’t be a lot of music on there.  This was going to suck.  But wait, I have my entire music library available to stream to my TV.  And I doubt the cat is going to be overly picky about the sound quality…

So I popped back on the living room TV and this time installed the Plex client for the Roku.  It installed quickly and I was off and browsing my collection.  I chose Acoustic Alchemy, which was the music he had heard on his transport to my house.  I played all tracks from all albums on shuffle.  And it just worked.  My TV has a video mode where you can turn the screen off and just use the audio, so I didn’t have to worry about screen burn-in.  I think I have a solution here.

I came back from dinner and the cat was not hiding under a bed, so I consider the music plan a success.  I will try again tomorrow while I’m at work and see how well that works.  And in time, I can build a huge playlist of instrumental songs for him – his own radio station.

He Just Snapped

Just so we’re clear where I’m coming from, I’m old.  In Internet years, I’m a fossil.  But I am an active user of technology, so I do have at least a small idea of what’s going on in the world.  Because of my age, a lot of things fall into the “I don’t understand this” bucket.  Not because I don’t understand how to use it, it’s more an issue of why would you use it.

I’ve only recently gotten into the modern phone game (meaning Android), having been a Windows Phone user for its limited lifespan.  And I recall one must-have app that caused a lot of WP users to move on to Android or iPhone – Snapchat.  So when I did upgrade to a can-do mobile OS, I was sure to install and utilize Snapchat.  Snapchat falls so hard into the “I don’t understand this” bucket, it punches a hole through the bottom.

First, the app offends me from a technical perspective.  I do understand that all modern applications have eschewed any form of friendly UI design and that design quality is called “clean” or “immersive”.  That design style involves removing all identifying command buttons, so you have mystery navigation where you have to randomly tap and swipe to figure out what the apps capabilities are. This app is no different.  Resource-wise, Snapchat is a killer.  I will give this a pass because the real-time video filters are impressive.  But, man, it hurts my phone.

Next, the app offends me as a photographer.  Here is the full text of their website home page:

Snap Inc. is a camera company.

We believe that reinventing the camera represents our greatest opportunity to improve the way people live and communicate.

We contribute to human progress by empowering people to express themselves, live in the moment, learn about the world, and have fun together.

I am painfully aware that the word “photography” is not used anywhere in that manifesto.  And if you wanted to take issue with my issue about Snapchat offending me as a photographer, you could use that against me.  But for the main populace, a camera is the gateway to photography.  And photography is about recording a moment in time.  And what does Snapchat do?  It makes photos that disappear.  That’s the opposite of photography.

An advertisement for Snapchat says: “It’s a camera for talking because a Snap says more than a text.” This is probably true in the sense that a picture is worth a thousand words.  But if that picture disappears, your words have been lost.  You have said nothing of value.  The ad also says, “So, yeah, Snapchat is a camera—where how you feel matters more than how you look.”  This is clearly a dig at Instagram.  I have read elsewhere that Snapchat is intended to be used spontaneously instead of having heavily “produced” photos like those in Instagram.  But that goes back to recording a moment.  You plan and produce an Instagram shot to capture a mood (or feeling) to be shared. So yeah, Snapchat is a camera, where how you look or feel doesn’t matter.

Next, the app offends me as a communicator.  If you haven’t noticed, I blog.  I also email and text.  When I write something, I am creating something.  It’s meant to persist.  And what happens in Snapchat?  It doesn’t.  It doesn’t matter whether it’s a picture or a chat, it’s all disposable.  It’s “living in the moment” as Snap wants you to.  It’s a YO-fucking-LO, get out of jail free card, where your past can’t be brought up to hold you accountable for your actions.  At the same time, it’s an admission that you don’t matter.  The things you create are not worth permanence.  The past is useless and there is no reason to preserve it.  How depressing.  And maybe that’s how things are for the youth of today.

But how about those filters?  I said, they are impressive.  It’s a very clever use of technology, but it’s also pointless.  The issues I take with Snapchat dovetail nicely with the filters.  “…How you feel matters more than how you look.”  Oh really?  I’m going to call bullshit on an app that distorts every face into an anime-grade caricature, smoothing out skin blemishes, enlarging eyes, contouring cheeks – it’s all about how you look.

But it doesn’t really matter anyway, because it’s all transitory.  The silly augmentation filters, while good for a laugh today, are going to be the MySpace embarrassment of the future, if any images manage to survive.  Wait and see.