Category Archives: Ideas - Page 4

You Shall Be Known By Your Stars

A while ago, I had read a post online by a music collector where he had just completed a goal of listening to and rating every song in his library.  It only took him five years to do it.  Bravo for that level of effort.  The consideration of doing something similar for myself led me to attempt to define what a rating system would look like for me.

The “for me” thing is the most important part.  Ratings are entirely subjective, and still at the same time, they must be well-defined and rigid.  That feels weird to me, “this is precisely how it must be… for me.”  But weird or not, in order to begin rating my albums (and/or songs), I need to have a stick to measure with.

In my consideration of rating my music, I determined that there’s two levels of ratings, at the song level and at the higher album level.  These two ratings more or less correspond with the way I would listen to the music, either absorbing an entire album at a time, for example, playing a CD while driving, or, listening to a playlist while sitting at a computer or through the Plex server.  So, having the two different types of ratings is moderately important.

A 5-star rating applied to a song is pretty straightforward.  How much do I like the song?  That’s an important question because the question is not, how good is the song? That open-ended question carries with it every sub-question imaginable, summed up as, how good is it by what metric?  So, every song would start at 3 stars, being neutral, and the likelihood I’d want to hear it again adds or subtracts one or two stars.  But, I don’t plan on rating every one of my songs in any near future, so I don’t feel concerned with this scheme.

Albums, though, would get rated on a totally different scale and I thought hard on this.  The answer lies in the composition of the songs on the album.  My scale is as such:

5 – A top-notch album.  Any song could be played individually in a playlist and the album would be enjoyed played beginning to end.

4 – An excellent album. Most songs could be included in playlists, but the album is stronger than the individual tracks.

3 – A good album.  Some songs could be included in playlists, and the album could be played beginning to end without feeling the need to skip any tracks.

2 – An album with some good songs.  A few songs could be included in playlists and some songs would be skipped when playing as an album.

1 – Few to no good songs.  Very unlikely the album would be played except to hear the good songs (if any).  It might be a curiosity or kept for completist reasons.

Here’s the problem with rating things.  People want to love things more than they really do.  They tend to ignore the flaws and focus on the good.  That’s great in the world of human relations (although it’s just as unsustainable as in any other application).  So, in rating my music, it was important to have a clearly-defined way to avoid excessive 5-star ratings.  Once it was absolutely clear that 5 stars was highly-rarified territory, and that it wasn’t through any fault of the artist, the pressure of saying an album is “the best of the best” subsides.

To explain, consider an album that has some segue between songs, presented as another track.  It’s unlikely you would include the short 30 second clip in a playlist, thus – excluded.  4-star max.  Or you have an album like Jethro Tull’s Thick As A Brick, which has two 20-some minute tracks.  It’s not likely you want your playlist to be stalled for 20 minutes.  Same for Rush’s 2112.  Alternately, maybe a long song is chopped up into multiple tracks.  The song would make no sense played on shuffle in a playlist.  These examples explain the emphasis on “album” for the 4-star rating.  The album is designed as a linear experience, and there should be no shame that it is capped at 4 stars.

The interesting aspect about that rating system is that mediocre albums can be 5-star.  If there’s an album – I can think of a couple of jazzy instrumental albums – where every song stands on its own and could be played individually, but it’s not an album that particularly excites me.  So all the songs would be rated as 3 stars, but the album itself would be 5 stars.  These would be cases where I would add an entire album to a playlist instead of individual songs.

Along with the stress of wanting to rate albums higher than they belong is the admission that an album is not strong as you want it to be.  Tastes change, so that shouldn’t be an issue, but you know, I used to play that album all the time!  I am curious to see how many low-rated albums I really have.  I would guess it’s probably higher than I would expect, because I have been branching out into lots of different artists simply because it’s so cheap to buy CDs.

But the bottom line is, the baseline rating is 3 stars.  Would I put the CD in the car and listen to it all the way through?  If I would skip tracks, it drops to 2 stars.  I probably wouldn’t even take a 1-star album in the car. *cough* Spin Doctors *cough*

Migrating Music

I had mentioned in my last post that I was testing out the possibilities of streaming my music collection throughout my house and elsewhere.  The experiment has been pretty successful and I believe the cat is all the happier for it.  Some of the “phase 2” features I’ve been digging into haven’t been as easy to implement as I would have hoped, but there’s no rush on any of those.  But in the process of learning and applying, I made what could be considered a radical change to my music collection.

In long-ago posts, I’d talked about ripping my CDs to MP3, then re-ripping them in WMA Lossless only to delete it all and keep my MP3s.  Then the light bulb came on and I re-ripped them again to WMA Lossless and have kept that library for years now.  It’s grown to nearly 450GB and has served me well all this time.

Why WMA Lossless?  Well, I was in the Zune ecosystem all that time.  The Zune software was compatible with WMA and it was the only way to get lossless files onto the players.  For many years the open source crows have been squawking, “FLAC! FLAC, FLAC!” and I have been ignoring them.  Because of Zune, of course, but also, all the available FLAC music players sucked.

But finally, Microsoft caved to the pressure and built FLAC support into Windows 10, and the Groove player also now supports FLAC.  I still had my WMA library and was fine with it.  But in reality, I didn’t really use the Zune software much anymore, I just used VLC (which supports FLAC) instead. 

During my experimentation with Plex, I enjoyed a neat little feature that lets you see the current server activity.  That means I can watch the living room TV’s stream and see what song my cat is currently listening to.  Something that caught my attention on that screen was a status that said “Transcoding WMALOSSLESS to AAC”.  This was mildly concerning.  It meant that my media server was spending extra CPU converting my media files to a format the Roku on the TV could handle.  My server is pretty beefy, so like I say, it was only mildly concerning.  However, when I streamed my library to the GF’s Roku on her TV, I experienced some slight dropouts or other minor disruptions in the audio.  I wasn’t sure if this was a bandwidth problem or a conversion problem.  I read up a little on FLAC and it seemed FLAC might be a better choice for efficient decoding and possibly for streaming.

I gave this a little consideration.  If I converted my entire library to FLAC, it’s likely I wouldn’t need to do any transcoding anymore.  I could still play my files with VLC or Groove or Plex – no more Zune devices.  Is there really any downside anymore?  And so, I downloaded a program to batch convert my entire collection to FLAC.  It was about 4 hours of processing time, which actually isn’t too bad.  All the metadata was preserved (and some bad data was exposed along the way).  And I saved about 50GB of drive space, too.  I deleted my old WMA files and replaced them all with FLAC.

Because my collection was all new files, I had to refresh the Plex database, which probably means I’ll have to clean up the artwork again, but that’s fine.  I also need to rebuild the playlists I’d been curating, which is more of a bummer, but hopefully it’s a chance to do it better this time.  I quickly recreated the cat’s playlist and when I streamed it to the TV this morning, the activity monitor in Plex stated “Direct Play”.  No more transcoding – success!

Because I’m generally a contrarian, it hurts just a tiny bit to fall in with the FLAC crowd, because they’ve always been a bit pompous, like “if you’re not using FLAC, you’re an idiot” in the same way Linux people tout the wonders of their chosen OS.  But, the solution is working and I can’t complain about that.  So, now I have an Android phone and a music collection in FLAC.  I suppose the next thing I need to do is start coding in PHP and Angular.JS.

KATT Radio – Late Night Jazz

My CD collection is pretty large right now.  I’ve surpassed 1200 albums and I’m not sure there’s ever going to be an end to the growth.  Sometimes, the realization of this prompts some soul-searching and the question comes up, “why?”  Yes, why do I do this?  What is the actual goal?  There is no real goal, it’s just an ongoing feeling of happiness, tending my collection like a garden.  But sometimes, the thought sneaks in, “That’s a lot of stuff to have.  You can only listen to one CD at a time.”

That’s right.  It is a lot of stuff for such a limited use.  It’s too bad I couldn’t share the awesomeness of it all with people.  And that thought led me down a path that ended up with me considering another potentially obsessive hobby – running a radio station!  You can get low-power AM radio station licenses pretty cheaply.  I started thinking up radio programs and what kind of expenses would come along with such an idea.  Everyone knows there’s no live radio now and all DJs pre-program their sets in advance.  I could easily do that, right?  No one really wants to hear my voice, so it wouldn’t be a banter kind of station, just music.  Hell, anyone can create a playlist, right?  That’s all a radio station is anymore.

But that idea faded as I thought about the reality of trying to make enough music shows (I mean playlists) to keep the station interesting (as I daydream about upending my local radio stations… ha).  So I considered an easier route:  An Internet radio station.  And I researched that and found I could get licensing for about $60/mo, and the licensing software would integrate with some common radio software.  I looked in the radio DJ software and immediately felt less enthusiastic.  It’s like my dilemma when I want to do music.  You have to master this software before you can actually start a project.  And by the time you understand how, you don’t care anymore.

At the same time I was kicking around this idea of broadcasting in my mind, I was pursuing another thought.  The idea that I had all this music doing nothing was nagging at me a little.  I do rip all of my CDs to my home computer (sitting at about 430GB right now) for playback at my desk.  And the idea that I could only really play it at my desk was a slight annoyance.  That’s a lot of music to sit there and do nothing.  So I gave consideration to how to broadcast it.  It would be a nice start to have devices throughout my home that could play my ripped music.  It would be even cooler if I could play it from my phone, anywhere.

As it turns out, there is such a way to do it.  Actually there’s plenty of ways to do it.  And the idea wasn’t all that new to me.  Back in my Zune days, there was a way to have Zune broadcast your music and videos to an XBox.  And I was actually sort of on board with that.  But since I never actually went through with buying an XBox and pursuing the “media center” dream, I had to reconsider my options.  As it turns out, the old XBox software grew up and broke its dependency on XBox.  That software is now called Plex.  And this software will broadcast to all kinds of devices, near and far.  Lots of people use Plex to share their music and videos with their friends.  That’s pretty cool, whether legal or not.

So I installed Plex on my home computer and had it go to town on my music library.  It grabbed a ton of info on my albums and artists from last.fm and it was flexible enough to let me edit anything left over on my own.  I went out to my living room and installed the Plex client on my Samsung TV.  It worked, which was impressive.  What wasn’t impressive was my TV’s sound quality.  So, I wrote the experiment off as useless.

Fast forward to today, I was dealing with cat issues.  My new cat has millennial-grade anxiety about everything.  Every sound freaks him out.  He hid under a bed for days, leading me to think he was dying.  But in the short time I’ve had him, I’ve discovered he likes music – a lot.  He likes a lot of the new age, smooth jazz instrumental music I like.  So I thought I would start playing it while I was out of the house, maybe to keep him chilled out.  I was getting ready to grab a Sansa Clip MP3 player and was sort of dreading all the work that would go along with that.  The player needs charged, I have to choose the music to play, the music has to be transcoded to fit onto the Clip, there won’t be a lot of music on there.  This was going to suck.  But wait, I have my entire music library available to stream to my TV.  And I doubt the cat is going to be overly picky about the sound quality…

So I popped back on the living room TV and this time installed the Plex client for the Roku.  It installed quickly and I was off and browsing my collection.  I chose Acoustic Alchemy, which was the music he had heard on his transport to my house.  I played all tracks from all albums on shuffle.  And it just worked.  My TV has a video mode where you can turn the screen off and just use the audio, so I didn’t have to worry about screen burn-in.  I think I have a solution here.

I came back from dinner and the cat was not hiding under a bed, so I consider the music plan a success.  I will try again tomorrow while I’m at work and see how well that works.  And in time, I can build a huge playlist of instrumental songs for him – his own radio station.

Things I Can Do Without

Whether my newest CD finds are 80’s pop (Phil Collins) or 80’s metal (Mercyful Fate), I am constantly irritated by shitty lyrics.  It could explain my preference for instrumental music.  The two previously mentioned examples have shitty lyrics for completely different reasons, but most of my gripes are with pop music.  Last night was Loverboy and I think I pulled a muscle rolling my eyes so much.

At the top of my hate list for shitty lyrics is rhyming girl with world.  I’m not a huge fan of near rhymes anyways, but this combo just really grates on me.  It’s not like there aren’t other options, even if they are somewhat weird.  “Curls” and “pearl” (both Rick Springfield) or “unfurl” (XTC) are somewhat daring choices to rhyme with “girl”, but whenever I hear “girl” in a song, I will sing along and try my damnedest to fit in the most superior rhyme: squirrel.  You should try it too.

th
She was… an American squirrel.

This has to be a well-known substitution, but anyway… It’s shitty that so many songs want to talk about love, but the options for rhyming with love are terrible.  You know them all: shove, dove, above.  There you go.  Instead, just start changing the word love to drug or drugs (drug if using love as a verb, drugs if noun).  It is a universal replacement.

Another sore point for me is how songwriters completely do not get the concept of “forever”.  Forever is a long time, and even if the song says that line specifically, it’s still not accurate.  Forever is forever, long after everything in the universe has died.  And you want tonight to last that long?  You’re insane, buddy. You’re going to wait that long?  It’s impossible.

Along with forever is the reference to eyes.  Oooh, eyes are the window to the soul.  So expressive!  So vulnerable!  Yeah, well, notice how often songwriters will use 3 beats when talking about eyes: “in your eyes”, “in my eyes”, “sultry eyes”, back door eyes”, “(dun) (dun)… eyes”.  Here’s a game changer for you.  Next time in your car playing secret karaoke with the lame pop music blaring, substitute any of these three-beat phrases with “penis size” and see how often it fits.  Try it now.

It took so long to realize/I see you now through your lies/There’s got to be more to love than…

Keep It Going

Happy After-V-Day.  So, how did it go?  Did you brave the crowds or stay home?  Did you feel yourself up or were there others involved?  Doesn’t matter.  The day for that is past, now it’s just normal life again.  Well, except for the bros out there just tapping their feet waiting for Feb 21 – Steak and Blowjob Day.

Me, I spent a lot of it in airports and in the sky and on the road.  My V-Day dinner was alone at Wendy’s.  Not really alone, there was a family there.  I’m not sure if there were celebrating V-Day by fighting or arguing or disagreeing or just having an intense conversation.  Everyone has their relationship rituals.

But, there a secret that the marketing firms don’t tell you about V-Day, and it’s not that there is such a thing as Steak and Blowjob Day.  It’s that you don’t have to wait until February 14 (or 21) for you to get your candy, flowers, attention, steak, blowjob, or arguments.  You can do it as often as you wish, every day even.  Buy a bag of gummy bears.  Every day, eat one, give a blowjob and have a fight about it.

Or you can be normal humans and just care about each other every day.  Or whenever you feel like it or whenever it is required or appropriate.  Do it in your own way.  Some people show love with food, some with fighting, I guess?  Here’s a few random ideas for you and your partner.  Stupid kids who have no relationship experience like to call bullshit like this #RelationshipGoals.  Don’t make it a goal, just do it as something.

First off, have a movie night.  But give it an edge.  Make it slightly dangerous.  Go to a pawn shop.  Wait, hear me out.  If you haven’t been to a pawn shop before, you would be floored at the number of DVDs they have.  And they want to get rid of them, badly.  They are cheap as hell.  It’s cheaper to buy than to rent.

And when the price is so low, there’s no emotional investment in choosing a good movie.  The emotional investment should be with each other, anyway.  So here’s the deal.  You each choose one or two movies each and you must watch them to the end, together.  You’re going to find some weird stuff at the pawn shop, for sure.  If the movie sucks, have sex while it’s playing, it still counts as watching.

Maybe movie night is an all-day thing, maybe not.  But here’s an idea for daytime.  Do you think you’re well-grounded in reality?  Do you think you’re pretty run-of-the-mill normal?  Do you want to challenge those impressions of yourself?  Maybe have a fierce battle with inadequacy?  Well, this date idea will do it.

Go on a model home megatour at some housing developments.  Maybe you’re not living in a place that has a lot of real estate booming going on.  That makes it even better, drive to one and you’ll be able to resist the siren call easier.  But if you haven’t been home shopping, it’s like going shopping for Maserati’s.  See, because no one makes cheap homes anymore.  Cheap homes are used homes, older homes.  Builders can’t make money on starter homes.  Even if they could, and maybe they would try, they are not going to make a model house show you what you can get for bottom dollar.  That’s not how things are sold.

So tour a bunch of model homes.  You’ll see excess and grandiosity and features and fixtures that will leave you shaking your head.  When you get to the 4,000+ sqft house with multiple game rooms and a bathroom that could be a studio apartment in itself, you will have a new appreciation for the simple life and a fresh disdain for the metaphorical Joneses you’re supposed to keep up with.  And hopefully, if your partner is of the same mindset as you, which I would hope so, you will walk away collectively stunned and grateful to have each other and that you share the same values.

Finally, and this idea is simple, generic, and simply honest.  Do something together that exposes a vulnerability.  You always want to show your best side to your partner.  You always want to be perfect.  But, it’s healthy to let your guard down occasionally.  Let your partner know you really are human and can do embarrassing things, or can fail to do something correctly or well.  Couples painting?  Wall climbing?  Ice skating?  Karaoke?  These are things that don’t have to wait for V-Day or Steak/BJ-Day.  You can do them whenever and as often as you want.  And it’s perfectly fine to suck at them, because those things are not your relationship.

The Eye in The Sky

There’s a lot of people that are really paranoid, scared, and angry about “the police state”, government surveillance, and loss of privacy.  I’m sort of in that group, but not really at the level some people are at.  There are other people who just sit back, point their finger and say, “Hey, you asked for it.”  These people are referring to technology like GPS, cookie tracking, integrated Facebook everywhere (that goddamn Like button on every web page that tells FB you’ve been on that page without you doing anything), and more recently, bullshit always-on microphones like on Alexa, Google Home, and Apple Home.

Those are all personal privacy invasions, and they are all opt-in.  You have to buy the devices that snoop on you.  You have to visit the websites that track you.  The other level of privacy invasion is at the societal level.  Things like security cameras, traffic cams, EZ Pass in your car, GPS on your phone.  Things that monitor and track you while you are in public.  At no point did anyone really opt-in to being monitored while in public.

Advocates will argue that these systems provide a great improvement in public safety (albeit reactive and not really proactive).  Detractors will say it’s not worth it to be watched all the time for the rare case something bad happens.  And the finger-pointing starts – If you’re not doing anything wrong, why are you opposed to it.  So, security by this means is naturally controversial.

And with that lead-in and disclaimer that I understand what I’m going to get into, I’m going to propose more surveillance.  And it’s for a very specific police use that would piss off some people.  But you know what?  I don’t fucking care, because you people need to be shut the fuck down.

Have you ever seen a video of a car fleeing the police on a highway, flying through traffic, weaving in and out of the other cars?  Of course you have.  That is what it is like driving to and from work every day for me.  That is every fucking day.  Every day, there are people who drive 15-20+ miles an hour faster than others and cut in and out between 3 and 4 lanes of traffic.  I am sick to fucking death of these people.  This needs to fucking stop.

These assholes cause trouble for everyone else in multiple ways.  The most obvious is that they could wreck into someone and kill themselves (boo hoo) or others.  And when wrecks happen, we all lose.  Traffic comes to a crawl or a standstill.  Do the goddamn math sometime you are in a traffic jam.  Count how many cars you see, measure how much time you are losing on your drive and multiply that by an average wage to see how much money is being lost sitting in traffic that didn’t need to happen at all if people didn’t drive like fuckasses.

There are not enough officers on the road to enforce better driving practices and even when they do enforce them, the fuckasses still ruin it for everyone, because we all have to slow down for emergency vehicles.  An asshole gets pulled over and we all pay for it.  But another issue is that an officer on the side of the road monitoring traffic may not be able to spot a fuckass.  The officers only have a limited view and even if they are running radar, they may or may not catch the driver when they are embedded somewhere in 3-4 lanes of traffic.  So this leads me to my solution.  Aerial surveillance.

Leave some quadcoptors hovering over the highway where they can monitor traffic at a greater level.  You can spot drivers that are weaving through traffic and generally being unsafe.  This is something you can’t do at ground level.  Once a car is spotted behaving erratically or unsafely, a trooper can be dispatched to intercept.  Or it could be handled later.  Record the video and address it in person at their house.

It doesn’t even have to be speeding.  I came up with a formula to calculate a driver’s assholosity based on speed and number of lanes changes per mile.  This targeting could almost be completely automated with machine learning (formerly known as AI).

Does this sound invasive?  I don’t fucking care if you think it is.  This is a problem that affects all highways drivers in both safety and financial aspects.  And while the problem is chronic, it isn’t widespread.  The few are ruining it for the many, and we shouldn’t have to live that way.  There’s a lot of that shit going on right now and I’m pretty well sick of it.

…As Long As You Both Shall Live

Bruce Dickinson is the lead singer for Iron Maiden and has also done a number of solo albums.  On one of his later albums, The Chemical Wedding, the title track, Chemical Wedding, has always had a particular interest to me.  On occasion, I am able to “visualize” a song, which is pretty much like viewing a music video in my head.  If I had cinematic talent, equipment, locations, and personnel, I think I would be able to make a compelling music video for this song.  Alas, I have none of those things.  I considered maybe writing a screenplay for my video, but concluded that wouldn’t really be an interesting read.  So I decided I would try and turn the video plotline into a short story, which might result in having the song appear to be influenced by the story, even though it happened the other way around.


The car pulled away and left me alone in the beach parking lot.  I stayed put and watched the car turn onto the roadway and drive away.  The transaction went smoother than I expected.  In my hand was a small bag and within that bag, a small vial of Demerol.  It’s something I’d been reading up on and from the sound of it, Demerol was going to be much more effective than the Oxy I’d been taking.

I have to admit, the only positive thing to come out of my parents’ move to this crappy harbor town is how easy it is to get high.  With as many people that come to vacation here, the dealers are plentiful and easy-going.  Back where we used to live, pot was pretty much the best we had access to, but this place is like rich-ville.  They have everything and people are able to pay for it.  My dad changed jobs and all of a sudden, we’re like, upper-middle-class or something, complete with beachfront house and disposable income for me.

My friends were bummed I had to move away, especially since we were just getting into senior year, where school is a blow-off and we’d be partying like, every night.  I would invite them out here and we could really get lit, but damn, it’s like nine hours each way.  You couldn’t even really manage that in a weekend.

I never really made any friends here, although I did make some solid connections with some dope suppliers.  So, having so much free time alone by myself allowed me to do some experimentation.  I found out I didn’t really like uppers and speed; I preferred to chill out and relax.  So after working my way through pot, I eventually ended up loving Oxycodone and Codeine.  But then I learned about Demerol.  It was supposedly like heroin, but was medically kosher.  That’s perfect, because the one thing I’m not is a junkie.

I walked out of the parking lot down to the beach.  A half moon shone through the fog, which illuminated everything in a sort of off-white glow.  A little spooky, but actually the perfect atmosphere for chilling out.  The large rocks at the shoreline are a perfect place to sit and take in the sights and sounds of nature and since it’s late at night, no one would be bothering me.

As I carefully climb over the mound of boulders to find a nice sitting place that’s not within sight from the parking lot or houses, I glance back to my parents’ house.  I don’t want to be too far or too close.  I’ll make my way back once the high settles in and can sleep it off in bed.  This spot here looks almost perfect.  It’s almost like a throne and it has a nice flat ledge to hold my supplies.

I settle down in the chair-like cluster of rocks and open my latest purchase.  Inside the bag is a small glass vial, just like you see at the doctor’s offices, and two small syringes.  That was nice of him, to give me a spare.  The glass vial has a label with Demerol printed in a simple, light green, sans-serif font.  A lot of other small type was on the bottle as well.  It looked so professional.  I felt like a professional.

Considering it was the first time I had ever considered using a drug with a syringe, I was surprised how calmly I was handling all of this.  It just seemed to be natural and normal.  Pills suddenly seemed so pedestrian.  Anyone could toss a pill in their mouth and swallow it.  This was serious business and required skill and knowledge.  You could kill yourself by injecting air into yourself, so you need to be good.

And I was good.  I took the time to prep everything well.  I had brought a tissue to cover the injection site and stop any minor bleeding.  I made sure I had a nice clean draw, and I held the syringe up to the moonlight.  The liquid was clear and pure, just like water – no bubbles at all.  The waves were crashing all around me.  And in that moment, as I stared at the fluid and listened to the hissing of the sea foam in the rocks around me, I almost felt like I didn’t need this.  It was like the anger of the waves was trying to tell me to stop.  But that’s just silly.  Being around the ocean was great when I was high, but I wasn’t high yet.

I settled back into the stone throne and stretched out my left arm.  I pumped my hand a few times to get my veins up and even in the mild moonlight, I could see the shadows on my forearm – my targets.  I chose one of the smaller veins, since I had no idea what would happen when I poked one.  Keeping my eye on the vein, I lowered the syringe to my forearm.  My right hand was steady and I carefully angled the needle in line with the target.  I had a brief moment of doubt where I thought maybe I should have someone else do my first injection, but I shook it off and pushed the needle into the skin.

There was a small pinch and I assumed I was in.  I slowly started pushing the plunger and immediately there was a wash of fatigue all through my body.  Everything wanted to relax instantly.  That sensation spooked me and I got worried about two things.  One is that I wouldn’t get the full dose, so I pushed the plunger harder.  This caused a slight burning in my arm and increased my second fear – that I would pass out with the needle still in my arm.  I’m no junkie.  That’s not going to happen.

I swiftly pulled the empty syringe from my forearm and struggled to get the tissue onto the injection site.  Everything was fading out.  The yellow-white glow of the moon took on a bluish tone.  It’s like when you see those color temperature comparisons with light bulbs.  The world went from warm white to cool white.  I felt like I was sinking into the rocks, sliding between them like melted wax, like my body was becoming a liquid.  Maybe I would just become part of the ocean.  But I wasn’t afraid, this was something I wanted.

I don’t know how much time passed there at the shoreline, but I do remember the zombie time.  In a trance, I gathered up all my stuff:  the vial, the syringes, the bloody tissue paper.  I had it all in the bag and began my walk back to the house.  The house wasn’t far, and the trip was absolutely heavenly.  I came down from the rocks as if I knew exactly where every stone was.  I didn’t slip once.  It felt like I was walking on air the whole way home.  I didn’t feel a single thing, like I weighed nothing and my feet weren’t even supporting any weight at all.

My parents were already asleep when I got in.  I floated to my room and sat down on the bed.  In a daze, I emptied the bag onto my nightstand and stared at it all with curiosity.  I just used that, I thought to myself, and I smiled.  It was a great success.  I was a professional.  I could be a doctor.  Maybe I should top myself off and get a great sleep.  I wonder how the sinking feeling would feel in bed instead of hard rocks.  It should be amazing.

Like everything I did in the zombie state, I prepped a new shot with incredible smoothness.  My motions were so fluid, it was like I wasn’t even in control, like something else was managing my movements.  The needle went in with no pain whatsoever and the push was steady.  It felt like a giant foam mattress was pushing itself against me, pushing me down into the bed.  Every inch of my body felt a wonderful calming pressure, like I was sinking into Jell-O.

Then, everything became light.  The pressure and weight pulled away and I felt like I was weightless, floating, but still lying on the bed.  I sat up and turned to my bedroom window.  There was a light outside, like the moon had gone from half-full to full.  I stood up and went to the window.  The fog had disappeared and the sky was completely clear.  A single light shown in the sky, shining directly on me.  The light split into three, then seven, then a dozen.  The light kept splitting over and over.  Every beam was focused on me and even as the number of lights grew by the hundreds, they all remained within my vision.

Then, the lights made a small pulse and rapidly started combining again, collapsing in to the center light and as they did so, the beam got larger and stronger.  The focused beam became more white and more pure as each outer light combined with it.  The light began pulling me.  With the weightlessness I had, it was impossible to resist the traction of the light.  The lights were converging together and the pull continued to grow.  The beam was captivating and I couldn’t take my eyes off of it.  I thought I would be blinded from the brilliance, but it was only pure white, not anything artificial or generated.  At first, I was afraid at being pulled away, but that fear faded as the beam grew larger and larger.  The strength of the light was comforting.  As I felt the pull lift my feet from the ground, I took a look back into my bedroom.  My body was still lying on the bed.  And with that image fresh in my mind, the light quickly pulled me away.

The next morning, from where I was, I saw my mom discover my body lying in bed, with a syringe hanging out of my arm and the bottle of Demerol on the nightstand.  911 was frantically called and the paramedics arrived only to say there was absolutely nothing that could be done.  There was a lot of hysteria and my dad tried to comfort my mom as best he could while the medical examiner came and collected my body.  Then the white light surrounded me again and that’s all I could see.

When the light faded, like coming out of a fog, I was looking down at a casket at a graveyard – apparently my interment. There was a surprising number of mourners present.  Obviously my parents were there, but my grandparents and aunts and uncles, and also many people from my old school.  They all travelled the nine hours to be here for me.  Some people from my new school were there as well.  I never even really considered any of them friends, and here they were.  I was able to see each and every person clearly.  I could see their grief and sorrow in excruciating detail.

Where I’m at, I feel.  The pain of everyone at my funeral is felt by me.  At one point during the ceremony, a funny memory of me was brought up and I could feel the sensation of laughter shoot through me, and then just as quickly, the sadness was back.  I had no way of telling them I was ok now.  I couldn’t will them to move on without me.

The ceremony ended and the despair grew in a crescendo, overwhelming my spirit.  The white light returned and I was left alone with my feelings, which weren’t my feelings anymore.  The only feelings I had were the ones others held for me.

[youtube https://www.youtube.com/watch?v=wCtD6-57IEk] Chemical Wedding
Bruce Dickenson

How happy is the human soul
Not enslaved by dull control
Left to dream and roam and play
Shed the guilt of former days

Walking on the foggy shore
Watch the waves come roaring home
Through the veil of pale moonlight
My shadow stretches out its hand

And so we lay, we lay in the same grave
Our chemical wedding day

Floating in the endless blue
My seed of doubt I leave to you
Let it wither on the ground
Treat it like a plague you found

All my dreams that were outside
In living colour, now alive
And all the lighthouses
Their beams converge to guide me home

And so we lay, we lay in the same grave
Our chemical wedding day

Tip Fraud

Again.  Fucking AGAIN.

A restaurant altered my credit card charge post-sale.  This time, it wasn’t the usual $1 tip added on.  This time, they took a $2 tip.  Just for the record, this bullshit happened to me only 3 months ago.

Ok, ok.  Calm down.  After talking to the restaurant manager, it turns out that it wasn’t a case of theft, just incompetence.  Another person’s tip was put on my card.  But it still remains that tip fraud is a very real and a very easy-to-do form of credit card fraud.

I have an issue calling out these restaurants for this fraud.  The places certainly have a small hand in the problem in that they’ve hired a piece-of-shit thief, but it’s not their policy to hire thieves and I’m sure they would be fired once exposed.  So, you know, I can dispute the charge with my CC company, but that just hurts the restaurant.  The thief gets away with their scam.  I could write a yelp review calling the place out, but again, that just hurts the restaurant.  I need a name.  I want to expose this person and make it difficult for them to just move on to another restaurant and continue their scamming operation.

As I’ve said multiple times in the past, I log my receipts then reconcile them with downloaded transactions from the bank.  If you aren’t doing this, you will be unaware that you are being stolen from.

There is a way to retroactively check and see if you have been ripped off.  But it will require that you remember how much you tipped, if you tipped at all.  First, you need to enable alerts on your credit card so you get an email or a text message for every charge on your card.  I originally had mine set to alert me for charges over $20, but now I’ve set it to $2.  When you have this alert set up, you will then have a record of the pre-tip amount.  You can then compare the amount in this notification to your CC statement to see if it differs from your finalized amount.

I have an idea to assist in exposing cases like this for people who do not log their receipts.  With many people relying on online-only solutions like Mint or their bank’s website, there needs to be a way to capture the tip amount prior to finalization.

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My Capital One card shows me pending transactions.  What if I could view the details of the transaction and enter the tip amount I charged, then that new total could be used when the transactions settles to see if there was a discrepancy?  Sounds pretty wonderful right?

But I know that many people aren’t going to log in to their CC website and enter their tips any more than they would use MS Money to track their transactions.  So here’s another idea.  Bots are the new hotness in the programming world.  People are also very responsive to talking with computers now.  What if Capital One texted me with new transaction notifications?

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Doesn’t that sound amazing?  So if the transaction settles for anything other than $14.48, you would get an alert of the discrepancy.

Alternate Music Timelines

This is an idea I’ve had for quite some time but it was not really big enough to really write about.  You know, some things are more Twitter-length, but if you don’t want to get sucked into multiple social broadcasting/publishing platforms, what can you do?  So, I just held on to the idea.

Then I had another of the same idea.  Now I’m up to two and it’s almost enough to make a post about.  All I need is a few paragraphs of intro/filler material (right here!) to describe the origins of the ideas so I can pad my word count.  But then, I had a third idea.  Now I was really set to go.  All I had to do was make sure I had enough words for each idea.  So, here’s the post proper.

You know sometimes when you hear a song, you think, “That sounds like this other band.”  Well, like everyone else, I get those thoughts too, but I think it happens less frequently, but more intensely with me.  Giving it some consideration, it’s not so much that one song sounds like another band did it, it’s more that the song would sound better by the alternative band because the song in question contains elements that that this other band does naturally.  I’ll try to explain how this applies for each song. 

So, for the 1000+ albums I’ve listened to, it might be strange to only come up with three cases where I would love to hear a one band’s song done by another band.  And if some of my reasons seem somewhat tenuous, you do have to consider that there’s a lot of music that sounds like other music and I don’t have a list of 100’s here.  To only have three instances must account for something.

Circle In The Sand, by Belinda Carlisle, performed by Fleetwood Mac.

https://player.vimeo.com/video/58972489

This is actually part of a bigger “fantasy” of mine.  Fleetwood Mac was a little lost after Stevie Nicks moved on to her solo stuff and eventually separated.  This led to their album, Time, with Bekka Bramlett instead of Stevie Nicks, which was not well received.

I thought Belinda Carlisle would be an excellent replacement for Stevie Nicks because they both had a trademark vibrato in their voices and they both loved the fuck out of cocaine.  Not to mention, Fleetwood Mac was part English and part Californian, while Carlisle was Californian but grew some European sensibilities by moving to France.

In this Van Hagar-ish mashup, I would imagine Fleetwood Mac throwing a couple of Belinda Carlisle songs into their live set to give her something to sing comfortably, and one of those songs should be Circle In The Sand.  Fleetwood Mac has a real gift at creating moody atmospheres, like in Rhiannon and The Chain.  If they could apply that sort of mood to Carlisle’s song, that would sound incredible.  In my opinion, of course.

Sensurround, by They Might Be Giants, performed by Rush.

[youtube https://www.youtube.com/watch?v=-MkzxnTZHKw]

I’m sure that’s about at WTF as you can get.  Where would I even get that idea from?  Quite simply, the guitar.  Sensurround is a guitar-heavy song, a style featured on many TMBG tracks, but the playing on this track is unlike others that I’ve heard.  There are a few style elements that stand out to me in the song.  First is the use of very dense chords.  Another is the staccato chords used in the verses, reminiscent of Rush’s Natural Science.  The other is the arpeggiated chords in the chorus similar to those in the chorus of Tom Sawyer.

Maybe that sounds like a stretch to only have elements from two Rush songs validate an idea that Rush could have done the song, but that’s only the genesis of the idea.  To imagine how the song would sound with the drumming and bass work of Neal and Geddy would be awesome.  And Rush are no strangers to quirkiness.  Although they don’t have any silly songs to their credit, they do show a sense of humor in their live shows.  So maybe make the lyrics a bit darker and more serious, Peart-style, and it’d be complete.

Give A Little Bit, by Supertramp, performed by Yes (circa 1970).

[youtube https://www.youtube.com/watch?v=YzktQty-sbU]

I recently purchased a Supertramp compilation CD and although I’ve heard this song before, I didn’t know who had done it.  As I listened to the song, it reminded me of some jangly Yes songs, particularly, And You And I.  The vocal line seemed to be well within Jon Anderson’s range and even the lyrical subject was similar to something he might write, maybe from the Anderson-Bruford-Wakeman-Howe era.

Getting Lit For Christmas

This year, I am following through on an idea I had two years ago when I first re-acquired my house.  At the time. I was very interested in getting more community-focused.  I have lived in my house for 12 years now, So I think I’m a fairly established community resident.  But I have seen over my years here that fewer people are interacting with each other, and I’m certainly not helping in that regard.  So, in 2015, I planned to do a community event.  I registered an Internet domain for it and everything.  And it didn’t happen.  In 2016, I wanted to do it again, but in December, the GF and I ended up on a cruise for vacation, so there wasn’t really much time to organize it.  I should have started much earlier than December anyway.

This year, I committed to doing the event.  Right after Thanksgiving, I put flyers on everyone’s door announcing my plan and asking for replies.  Surprisingly, I did get some replies, so the event was a go in my mind.  What event?  What the fuck are you going to do?  Yeah, I hear you, I’m getting to that.

I had already assumed I wasn’t going to have any assistance from the community, so I budgeted all the supplies as if I was going to do the whole thing myself.  As it turned out, there were almost a dozen people who contributed, so my supplies were way, way, way overbought.  It’s fine, though.  I consider them backup supplies, and maybe I’ll need them next year.

Ok, so here’s my plan.  I want to decorate the whole neighborhood with… LUMINARIES.

All you need are paper bags, lights, sand, and lot of effort.  I did a quick estimation of how much roadway I’d need to cover in my neighborhood and estimated I’d need somewhere close to 1000 lights.  Holy shit.  So I got online and ordered supplies for 1000 lights.

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Shortly after placing the order, I realized that my measurements were wrong.  I didn’t take into consideration that there wouldn’t be any lights placed in front of driveways.  That significantly trimmed down the required roadway to cover, so I have plenty of extra.  Plus, some people did choose to provide their own lights, so that’s even less.

So I spent days and days folding the lips of bags to keep them upright and sturdy.  Then, the day prior to the installation, I began filling the bags with sand.

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And more

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And more

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And more

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And more

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That’s 430 lights.  How many will go out, I’m not sure.

This is the day of the event and regretfully, I haven’t really communicated with the participants.  With a week to go, I placed flyers on all the community mailboxes with a bright “One Week To Go!!!” message at the top.

The witching hour came and with the assistance of AK and Husband, the final assembly of the luminaries took place – placing the lit LED light in it.  Then the lights were taken to two waiting vehicles.  Once those vehicles were filled, the extras started going out on the lawn.  That’s when the people started showing up.

My neighbors across the street all came over and collected lights and took them away for their property.  Then they came back and took more for further down the road.  Then trucks started coming and loading up more lights in the trailer beds and driving them off.  I can’t say it was incredible participation of the neighborhood, but the ones that were into it were really into it.  There wasn’t any complaining to be heard, just getting it done.

The three of us headed up in one car to begin filling in the gaps.  I chose to start at the far end and work our way back.  We emptied the car after completely covering one area.  It was a little depressing to see the lack of participation in that section, but that’s why I got so many.

I swapped cars and we began filling in more empty areas.  And sadly, we ran out with maybe 10 houses left.  We went back to the house and scrambled to make some more luminaries.  We stopped at an even 500 and that limit was due to lack of sand to weight the lights down.  It made me a little irritated that I must have squandered what sand I had for the early lights.

We drove back out and placed the remaining lights.  We were still about 5 houses shy of fully covering the neighborhood and most unfortunately – for me – we did not get the lights out to the main roadway, which would have been a pleasant invitation for others to visit.

Nighttime photography is not easy, and this is my first attempt at it.  Take it for what you will.

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