Category Archives: About Me - Page 6

The Last Time

I have probably talked about it before in other posts just in passing, but this is something that has been on my mind more frequently.  It was most obvious when I replace the roof on my house, which came with a 30 year warranty.  The realization was, "I’m never going to do this again in my lifetime."  And that started snowballing into analysis of what else was going to be the last time I ever did something.  I just bought a high-quality couch and I don’t expect I’ll be spending that kind of money on a couch ever again.

A lot of it is purposely buying things that will outlive you.  There are some things that I’ve purchased that I didn’t expect to last as long as they have, like my office desk and its matching accessories.  They’re business-grade furniture pieces and they are holding up amazingly well after 15 years.

On another viewpoint of that, I was considering my house.  I have a 3 bedroom house.  There’s the master, the guest, and the third is my listening room with my stereo.  In that consideration, I came to the conclusion that I don’t need a guest room.  I’m never going to have a guest in my house.  I literally have no friends that would visit.  If they did, they’d stay at a hotel.  That room is literally wasted space.

The fact it took so long for me to come to that conclusion is surprising to me, and in a way, it’s not.  It’s kind of instilled in you that you need to have guest accommodations.  For why?  Just in case!  You never know.  But I really should know.  My life is not that complex.  I don’t have or want a lot of connections.  It’s just an old-fashioned tradition that doesn’t need to be in this modern world of convenience.

So I decided.  No more guest bedroom.  It’s going to be another room for me, not a room for some mystery nobody that’s never going to show up.  Like JG Wentworth paraphrased, it’s my space and I want it now!  Getting a high utilization out of this house is key to maximizing value.  Otherwise, why don’t I have a two bedroom house?  Because then I wouldn’t have a listening room.

In my daydreams, I thought it would be great to have a big house with a bunch of different rooms and each room could serve one purpose.  I never really looked at what I had and realized I had the space to create a room with a defined purpose – and that purpose not be "being empty".

So, it was a year or so ago when I hosted a guest who had COVID and had to isolate in the guest room.  And oddly enough, at the time, I didn’t realize that would be the last time I would have a guest staying in the house.

Lessons To Learn

In my previous post, I talked about music and "remastering" some of my old music.  Where I left off is that I was trying to redo some old keyboard pieces that used the Yamaha SW1000XG.  I bought a Yamaha MU80 as a replacement and that didn’t have the same sounds, so I bought an MU100.  To my surprise, again, not the same sounds.  So while I lick my $400 wounds and decide how I want to go from here, I made progressions on another musical concept.

I had written some guitar tunes a long while back, before I became a more aware and less offensive person.  As fortune would have it at that time, my voice could not cope with the style of singing required for the songs, so all I had recorded was the music.  There are some guide vocals in some songs, which are cringey to say the least.  It’s for the best they stay muted.  But anyway, the recording of the instrument parts left a bit to be desired as well, so I set myself to it to clean those up.

The first issue, which is just like the Yamaha issue, is trying to find the effects that I used when recording the tracks.  After many failed attempts to match up the guitar effects plugins, I gave up and chose new effect patches for the tracks.  They don’t sound the same as the originals, but no one’s heard the originals, so whatever.

The next step was cleanup.  In the original recording, there was a major problem with bleedthough in the mixer I owned, so a lot of tracks have a background noise of the click track.  Through a lot of clever editing and some aggressive fadeouts, I was able to hide any noticeable clicks.  As I made those edits, I determined how to best organize the project for mixdown.  This led to a solution of having the midi drum track span the full length of the song, including pre-silence and fadeout.  That way I could set the locators (which determine what part to mixdown) to the selected drum track and be good to go.

The step after that was mixing, burning, and testing the tracks in CD players: home and car, plus through computer speakers.  I have a spindle of 100 CDRs that I never thought I’d use.  I’m going to use them now.  As I did my tests, I adjusted track times, in cases where the mix cut off too quickly or in some cases, didn’t leave enough lead space for a CD player to audibly start the track immediately.  That was weird: that even if you want a track to start absolutely immediately, you still need a small bit of silence at the beginning otherwise it sort of quickly fades in.

And that was actually a problem, because I had two tracks that segued into one another – I couldn’t have a silent gap between them.  This issue was compounded by the software I was using to write the CDs.  Coming up with a resolution involved another step and more software.  To solve the gapless issue, I had to create a CUE sheet, which would identify the exact placement of the track boundaries on the disc.  And instead of burning multiple audio files, you burn one file that contains the whole CD audio.  The CUE file points to sections in that one audio file.

So now I have to create a single file of the entire album’s audio.  And this forced me to do the proper step of CD mastering.  In this step you work with all the mixed tracks together at once and make them sound cohesive.  And at the same time, you work out the timing of the tracks and the gaps between them.  It was something I was aware of in my listening tests – that some tracks needed volume adjustments – and the mastering process gave me that opportunity to balance everything out.  It’s something I expect to do in future projects.

So I’m up to test disc #6 now, which contains the level-matched tracks and also the gapless track changes where needed thanks to the CUE file.  When I burnt the CD using a new utility that utilized CUE files, I noticed some mentions of CD-TEXT being written, which allows CD players to pick up and display the track title.  I haven’t been able to see that in any players I’ve tried yet, but that’s another target to hit for future test versions.

Musical Progressions

It was a while ago I made a post with a lot of reservations.  It was regarding hauling out my music stuff and getting back into music.  And my reservations at the time were that I wasn’t going to get very far with my initiative because I’d been through the process many times in the past and each time ended up packing everything up and putting it away with nothing to show for the effort.

And, well, this is somewhat the same in that it has not been too productive.  I developed one idea I’d had for many years, but haven’t gotten enough to really make something concrete.  And while that was developing, I also worked on getting the recording station all set up.  I bought a new micro computer, monitor, and monitor stand.  I installed and set up my old Cubase software (which is way behind the times and yet more than I’ll ever need).  Although that’s all ready to go, I haven’t really started anything.

I knew I would have an uphill battle getting my physical abilities back since I hadn’t played in such a long time.  To my surprise, my capability came back faster than expected.  However, I plateaued quickly and my stamina was much diminished, so that was a little discouraging.

Instead of giving up, I decided to pivot a little bit and try to get some inspiration and relearn some engineering technique.  I have a lot of old music that exists in MP3 format.  It should be in FLAC format to be of the best quality.  Additionally, some of those songs need a little improvement.  One in particular has the beginning sort of cut off and I have no idea why I accepted that at the time.  Since I have the "source files" for the songs, I should "remaster" them in a sense and bring them up to a standard where I won’t need to worry about quality anymore.

What does that entail?  Well, I have to recreate the recording setup I had back when I recorded them.  This is not a trivial matter for me or for anyone who has ever attempted something like this.  While my case is relatively simple, imagine an actual professional musician trying to track down vintage synthesizers and recreating the patches that were used on each track.  It highlights the need for documentation in a studio.  I admit, I didn’t do hardly any – I never really gave it any thought.  So when I loaded up one of my old files and got a message about missing plugins, I essentially have to go hunting for vintage synthesizers.

After a certain length of time, there isn’t much hope for me to recreate some of the music as I would need thousands of dollars worth of older synths to do it, but a lot of my newer stuff used virtual synths and I still have that software.  I mean, most of it, I do.  Some I had to really go out and hunt for as it was discontinued.  I still don’t know if I have it all yet.  I’ve only worked on a couple songs.  Always keep backups of everything.

One of the bigger problems I faced is that I used a synth from the time that was on a sound card – the Yamaha SW1000XG.  I do still have that card, but I can’t install it in my new micro PC system.  I was able to find a virtual version of the same synth, called the SY50XG, but it had a serious problem where you couldn’t directly select the patches per channel.  You have to do patch changes through SysEx messages.  That’s not insurmountable, except for the fact that I don’t know the exact patch that I need.  That lack of documentation, you see.

So, money to the rescue, as usual.  The SW1000XG is supposedly a PC card version of the Yamaha MU80 synth module.  I was able to find one for under $150 on EBay, shipped from Japan.  When it arrives, I should hopefully have everything I need to recreate the old songs and remix them at full FLAC fidelity.  All I should have to do is change the port from what was the SW1000XG to the MU80 and the patch I had selected on the old synth should map right to the new one.

But even this overall process is a real pain.  My recording workstation is not comfortable.  I have the choice of standing or sitting on a wood stool.  The keyboard is a mini keyboard with embedded touchpad, like using a laptop.  And all this equipment is in my music room, so there’s no real space to stretch out.  I feel like I need to eliminate my guest bedroom and make that a studio room, but I don’t want to do something drastic like that yet.

Over the long weekend, I worked on the project on and off in something like 30-minute increments.  Most of it was installing missing software synths and testing them out.  The recording PC is not network connected, so if I needed anything, I would have to walk back and forth between that and my regular PC in another room, transferring files on a USB drive (they used to call that "sneakernet" in the days before widespread computer networks).  So that process was annoying and exhausting in itself.

But I guess the big positive takeaway is that I haven’t given up yet.

Follow-up edit:

It turns out the MU80 is not the same thing as an SW1000XG.  After receiving the device and integrating it with my setup, I tested it out on a track I knew to use a lot of Yamaha sounds.  Very specifically, the drum kit I needed didn’t exist on the MU80.  Research, which I should have done before purchasing, would have given me the information I needed.  One web site gushing about the SW1000XG having 1200 sounds and 46 drum kits, then a Wikipedia article for the Yamaha MU series listing the different models and their capabilities gave me the full story.

The SW1000XG came out in 1998.  The MU80 came out in 1994 and had 729 sounds and 21 drum kits.  The MU100 came out in 1997 and had 1267 sounds and 46 drum kits.  And, you know, even if I was dumb enough to ignore the timeline, I should have given some credit to the model naming scheme.

The end result is I have to buy a Yamaha MU100, meaning I now have an extra sound module that is of little use to me.  Luckily, they aren’t that much more expensive than the MU80, but still, double the cost kind of sucks.  I suppose I can sell the MU80 and recoup some of that cost.

BTC FOMO WTF, I Dunno

There’s plenty of talk recently about bitcoin.  It’s something I’ve never understood, believed in, or trusted.  However, I feel it’s finally come time for me to at least have a conversational knowledge of it.  I don’t fully understand it from a technical perspective, because I do know enough about that part to retain my stance that I don’t believe in it or trust it.  What I want to be able to do is explain the (or a) process of using bitcoin.  Because I expect at some point, someone if going to ask me about it and how to get into it and when I say I don’t know, they’re going to think I’m stupid, because I’m supposed to be the all-knowing geek.

I start my quest with general searches on buying bitcoin.  Obviously, you need a place to store your stupid, fake money.  You can choose to have it stored on someone else’s website.  Yeah right.  I’ve been on the internet for a very long time.  You don’t trust the fucking internet for anything.  If not on someone’s website, you can store it in software on your computer or on a dedicated storage device.  This has a parallel to password vaults.  You can store your passwords in a vault online, like LastPass or you can store them in a file on your computer, like KeePass.  I chose KeePass, and I will choose the same for my bitcoin wallet.  Step 1 sort of complete.

I choose to install one of the better known wallet apps called Electrum.  I run through the default wallet setup, storing all the security information in KeePass in a symbiotic relationship.  Ok.  I’m ready to make a purchase now.  Gonna buy some fake money.

More searches on where to buy bitcoin.  I go to the first recommended place and start the process.  I’m immediately hit with a request for ID.  I have to submit a picture of an ID, either drivers license or passport, plus a picture of me holding the document.  Are you fucking kidding me?  What did I just say, you don’t trust the fucking internet.  We’re dealing with an unregulated product here, there’s nothing ensuring any security of any kind and you want me to give you a copy of my ID?  You can fuck right off.

Further research suggests that bitcoin is getting a little more legitimacy at least in the idea that it can be taxed by the IRS.  I don’t know if that’s a good thing or not.  Mostly I think it’s not.  If eliminating the anonymous aspect of bitcoin is the price of legitimacy, I don’t know.  So I look deeper.  I find there is a way to purchase bitcoin for cash using a special ATM machine, one of which is in my city.  That seems anonymous enough (although of course any agency that wanted to, could track me down with little problem).  I’m not trying to do this in the shadiest way possible.  I’m just trying to learn more about this concept and I don’t want to expose a bunch of my personal info to untrusted websites if I’m not going to be a devotee to the cause.

I watch a video on how to use the ATM and one thing I need is a QR code for an address to send my fake money to.  Electrum has a lot of different values in it.  I wanted to send the money to my wallet, so I went to Wallet Information and generated a QR code for my wallet ID.  That afternoon, I drove to the ATM and tried to buy some bitcoin.  Unfortunately, when I scanned my QR code, the machine said I had to use a supported wallet.  Step 2 failed.

Later, back at home, I think I generated a QR code for the wrong thing.  I though your wallet ID was unique and I’m sure it really is, but your wallet holds multiple addresses in it and each of those addresses are what you send and receive the bitcoin with.  The default view in Electrum didn’t show those addresses, but when I found it, things made a little more sense.  I generated a new QR code for one bitcoin address and I will attempt to use that.

Until I get back to the ATM, I figure I will try to buy some bitcoin online anonymously.  How about PayPal?  They’ve been making noise about supporting "Crypto" (The slick marketing term for this, I guess).  I quickly find out that any bitcoin you buy in PayPal can’t be transferred to your wallet.  So essentially, you have an online wallet with them.  I love you, PayPal, but no thanks.

I find another website that supposedly lets you buy without ID.  I create an account and get to the point of purchase.  They need a credit card number.  Well, here comes that mistrust again.  Not only that, but if I give my CC number, they’re going to hit me with a cash advance fee and interest.  Fuck that, too.

After a lot of puzzling over this, I came up with a solution.  Unsurprisingly or not, it’s PayPal.  I have my PayPal linked to a savings account for cash purchases.  That account is always kept at a low balance, so in case of compromise, I don’t lose all my cash.  PayPal allows you to make a virtual CC number to access the funds in any linked account, called a PayPal Key.  There’s my solution.  Now I’m ready to go.  I return to the bitcoin exchange and place my order.  It’s about $37 for me to learn this new concept.  And when I submit the form, I’m immediately told… I have to verify my identity.  God damn it.

So after a lot more searching and a bunch of other website visits, it doesn’t seem that I’m going to get very far without IDing myself, unless I want to pay a hefty premium for person-to-person trading.  Speaking of premiums, that is something about bitcoin that annoys the shit out of me.  Everything you do has a transaction fee.  It’s like having an account with a bank that has no ATM network.  You just get dinged the more you use it.  I guess people into this stuff just accept it as a cost of business.

I tried out a couple more sites and got stopped at the "provide ID" step.  I guess the ATM method is going to be my go-to method.  Looking at the ATM provider’s website, most of their machines are in sketchy locations – gas stations, vape shops, etc.  But, they do have some in a couple hotels, which I find surprising.  One is not too far from me, along a route I’ve travelled plenty of times.  So that’s going to be my next attempt.  I’ve figured out how to create a read-only copy of my wallet on my phone, so I can generate QR codes for any of the bitcoin addresses I have in my wallet.

I arrive at the hotel and find the bitcoin ATM next to the regular ATM in their lobby.  Using my mobile wallet, I set up a buy, stuffed in $40 (because in my previous online attempts, $20 wasn’t enough for a minimum purchase), and completed my purchase.  I immediately got a text message with my purchase confirmation.  Step 2 complete, I guess.

I went to a nearby convenience store and bought some snacks.  When I got back to my car, I opened my wallet and saw I had a new transaction in my history.  It said the transaction wasn’t confirmed, but, hey, it was there!  Of course, all it says is that I owned a tiny fraction of a bitcoin.  I went online and did some quick math.  It looks like $5 of the $40 purchase went to fees.  Holy shit.  But bitcoin is nothing if not the most volatile investment out there, so tomorrow I could be up $5 or down another $10, who the hell knows.

I drove back home and opened the wallet on my PC.  The transaction was there as well and now it was displayed as confirmed – I guess 15 servers could see that transaction and that was considered good.  Now that I owned bitcoin, I had to learn how to give it away.

My whole drive home I was mildly stewing about the $5 fee I paid to get my fake money.  And it made me wonder how things worked when I went to give some away.  Who pays?  And like I said earlier, it’s a racket.  Everyone wants paid.  I came to lean that even if I’m giving fake money away, I’m still paying someone to give it.  Hw much am I giving away?  Funny enough, the answer is, it depends.  How soon do you want your payment to go through, if at all?  The people facilitating the transactions work on the ones with the biggest fees first.  If things are really busy and they don’t get to your cheap-ass fee transaction in time, well, your transaction is cancelled.  And if not cancelled, you’ll wait potentially for days and your recipient is going to be beating down your door saying, "I want my two dollars!"

There are some interesting features that exist to help this situation.  One of which involves initially setting a low fee, then allowing changes to the transaction that are all fees.  So you can be cheap at first, then increase the fee if there are no takers in a reasonable time.  Another way to use that feature is to set a low fee initially, then let the recipient change the transaction to add any additional fee if they want the money quicker.  I don’t expect I’m ever going to be doing anything like this, but it’s kind of neat to know this is an option.

I contact a friend and we go through the setup of a new wallet and I perform a "Send" of about half my balance.  I chose a moderately low fee, but since everything in bitcoin is in a totally different scale, all you can do is make some rough estimates as to how much you’re losing in the trade.  So the transaction was made and it showed up on the other side almost immediately, but it remained unconfirmed.  I left it go overnight and in the morning, the transaction showed as confirmed.  Step 3 complete.

And that’s about all the more I care to experiment with bitcoin.  I spent $40 and I have $15 left in my wallet.  I’ve seen the process of receiving and the process of sending.  I’ve seen how much you lose in fees in the process.  Bitcoin is in a decline right now, so I’m probably losing value as well.  but I can now say that I can pay and be paid in bitcoin now.  That’s pretty much all I wanted.

Bring Out Your Dead

I have a problem.  Not really, but some would say, yes.  It’s my CD players.  I’ve discussed it little before and maybe joked about it.  It’s still kind of a joke.  here’s the continuation of that joke and my rationale.

So I have, let’s see.  Let me count them… 8.  Eight CD players.  Since the last time I mentioned this, I’ve added a JVC XL-V141, which is a 90’s player, and yesterday, a Yamaha CDX-520 from 1989.  This is the Yamaha:

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My collection all meet certain criteria, partially for my promotional purposes if I get to the point of selling them.  All have physical power buttons (Off is OFF), all have headphone jacks, so the youngin’s can enjoy them without needing a full stereo.  Most have volume knobs for the headphones, which is a excellent touch.  You see, when things started getting cheaper, features got cut.  This is back when CD players were premium devices.  And yeah, these were about $300 when new.  Back in those dollars, which is probably $600 today.

So, I had purchased this neat new player for $25.  I was eager to try it out and clean it up when i got home.  Right away, I plugged it in and gave it a smoke test on a CD and headphones.  Tray opens and closes, that’s good, the disc TOC reads, good.  Ohhh..  It has a chronic skipping problem.  It just stutters all over the track like it’s on fast-forward.  Damn it.

Pop the case off and look around.  I don’t really know what I’m looking for, just something out of place.  It all looks good.  I push a bunch of buttons and I notice that the CD doesn’t skip on later tracks, more on earlier tracks and chronically on the first track.  This is a clue, but I don’t know what it means yet.  This is pretty much what I had in front of me:

IMG_20210424_101235

While I’m reading my CD player repair document and looking over the player’s schematics from its service manual (which mean nothing to me), I go back and forth between the computer and the player.  Stopping and starting the player over and over.  Oddly, now it seems to be skipping less.  Then it’s not skipping on the first track anymore.  Is that all it was?  The player was tired and had been sitting too long, maybe just needed to warm back up?  What a crazy solution to the problem.

I tried a few more CDs.  Nope.  Skipping was still there.  So, I considered the problem wasn’t electronic, maybe mechanical.  Maybe the gears and rails for the laser transport needed cleaned and lubed.  I disassembled it and lubed up the moving parts with silicone lube on a swab (not recommended around electronics, but I’m stubborn).  Not any better, maybe worse.  Well, I’m going to have to level up on my repair skills.

The repair manual discussed adjusting the lens tracking and focus using potentiometers on the circuit board.  The troubleshooting guide also said tracking issues would cause skipping.  Ok, let’s do this.  $25 already gone, right? 

I took a picture of the pots before I fiddled with them just to be absolutely sure.

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While a CD played, I slowly twisted the left pot and the skipping got worse.  Well, that’s a change in some direction, so I felt I was on the right track.  However, I couldn’t get things to get any better.  In fact, I experienced something the the guide warned about, with the CD spinning out of control at very high speed.  So, after powering the player down and resetting the pot to neutral, let’s try the other one.  In a couple small changes, suddenly the transport quieted down and didn’t seem to rattle anymore.  The skipping stopped!  This is the setting I ended up with:

IMG_20210424_101116

It’s not a major adjustment, but I imagine it’s not supposed to be.  I’ve been testing out the player on multiple CDs and no more skipping issue at all.

So, my little joke of a collecting problem has given me a new repair skill.  Formerly, my repair abilities were limited to changing belts, which honestly is pretty good and has brought a couple players back from the dead.  Now I have a new solution for a new problem under my belt.  I can fix even more players now.  A good hobby is one where you continually grow, right?

Post Travel Review

It’s been a week or so since I got back from my road trip through a few states.  I got to spend some time in a couple and just passed through another, but still, during death plague, travelling is a luxury, or at least it should be.

Anyway, a lot of my time was spent in TX.  I was in a somewhat smaller town surrounded by other smaller towns, but I did take one day to drive to Dallas.  My overall impressions of the state?  I don’t really like it.  It seemed more expensive, for one.  Sales tax was higher and the cost of things in general seemed higher as well.  Gas was cheaper, but not cheaper than other states I went through.

On dining.  It’s nothing I can really fault them for, but there was less for me to eat in TX.  I don’t eat Mexican, and well, TX has a lot of Mexican food for whatever reason.  I lot of the brands I enjoy also weren’t there (at least in the smaller towns I was in).  One other thing is that every restaurant was jam packed.  Actually that was a theme my entire trip.  I regularly found myself eating at my third or less favorite choice just because I couldn’t get in anywhere else.

On shopping.  I had plenty of time to hit all the stores I wanted.  I hit thrift stores, which were generally disappointing, pawn shops, which were universally, exceptionally depressing, and used CD stores, which were generally positive.

On driving.  I was warned beforehand that TX drivers drive fast.  This is true, but despite that, they are still courteous.  I’ll save my ranting for the end, but I will say, Dallas rush-hour traffic is heaps better than normal FL traffic.  For one, drivers choose a lane and stick with it.  They allow you to have a safety buffer in front of your vehicle without having an irrational need to fill that space.  TX drivers don’t ride in the passing lane (of course there are exceptions).  When you only have 2-lane highways, maybe this is more normal.  The one notable exception I recall is someone who rode the passing lane and varied his speed between 65 and 85.  He wouldn’t pass me, nor would he fall behind me.  He was building up a line of cars behind him.  So in an open stretch, I chose to accelerate to over 100 to build a gap between me and him so that the cars he blocked could pass him on the right and get around him.  As far as I know, he’s still driving in the left lane today.

Oddball observation: There are a lot of redheads in TX.

The next state I spent the most time in was LA, an hour away from where I was staying.  My general impression: a poor, sad state.  I hit some thrift shops, which had nothing of any value, some pawn shops, which also had nothing of value, and a record store.  I saw a dead dog in the street and no one seemed to be concerned by it.

When I was coming through LA into TX, I didn’t get a very good vibe from the state.  I mentioned this to my host who commented that her impression of LA people is that they were "crooked".  I thought that was sort of a unique observation, not one you usually make on a group of people.  Then I went to the used record store in LA and I learned.  I’ve heard about stores like this before, but this was the first one I’d experienced. 

When I got there, the building was sketchy as fuck.  There were no windows – none.  The signage was uninviting.  When I went in, the place was like a maze of boxes and rooms.  The first person I saw asked what I was looking for, then had to lead me through the maze to where the CDs were.  I’m not adverse to mess, after all, I shop at thrift and pawn shops and flea markets.  As I looked over every CD they had, there wasn’t anything of real interest, only mild interest.  The couple I did pull out to inspect closer, I noticed there were no price tags on them.  This gave me an uneasy feeling.  Like I said, I’ve heard of this before.  Against my expectations, I hoped they just had a flat price for CDs.

On my way from one section to another, a person I assume was the owner asked me if I was finding everything I was looking for.  I asked what the prices were for CDs and he confirmed my worries.  He said would look up the prices at checkout.  Uh huh.  I pretty much knew I wouldn’t be buying anything here.  But I still looked at everything.  In the end, the only thing in the entire shop that caught my eye was a gold Pink Floyd CD.  Knowing the store’s pricing policy, I looked up the price online.  It sells for an average of $75.  I mentally set my max price for $50.  I took it back to the owner and he saw it and said, "Oh that’s going to be an expensive one.  If you’re interested, I can look up the price, but I can tell you it’s going to be at least $60."  I replied, "Not if it’s going to be $60."  And he left the CD on the table and dismissed me.  So I left.  Crooked?  Maybe, but definitely not someone I want to do business with. 

So anyway, after a couple weeks away, I return to FL.  Immediately, as soon as I cross the state line, I mean, right then, traffic started acting differently.  The highway opened up to three lanes and it became a free for all.  Drivers switching lanes constantly, people weaving through traffic, driving 20 miles faster than the flow, just total insanity.  Then, later on, the density just grew and grew.  Three lanes fully packed with cars, which obviously left no room for passing, making those that wanted to speed and pass even more dangerous, swiping the small gaps between cars left and right to push themselves further ahead.  It was absolutely infuriating.

In the time since, I’ve been very critical of the driving in FL.  Although I haven’t been to CA yet to experience that driving environment, I can say FL has the worst driving of any state I’ve been in, and that does include MA, specifically, Boston.  My experience in Boston was that yes, it’s hectic and rude, but it’s not at 80 mph.  All that jostling happens in city environments at slower speeds.  Driving in FL is like a real-life Grand Theft Auto game.

On a positive note, I did get a lot of CDs.  It’s taking me days and days to give each a full listen.  I did have a great find of over a dozen new SACDs in a thrift store.  I bought them all for $1 each.  SACDs will sell for $40+ easily.  Because I am not of the LA mindset, I did sell off all the extra copies I had, but for $10 each including shipping.  Maybe I made $50 profit total.  But I kept a copy for myself, so my collection is $40 richer, too.  And the buyers (who were as knowledgeable as I) were understandably appreciative of the good price.  That gratitude is worth more than the money.

While I was gone, I had a sitter for the cats.  Unfortunately, Spock never warmed up to her and hid every time she was in the house.  Sky, on the other hand, developed a new language to talk to the sitter.  Sky tried using all her new words on me when I got home and I had no idea what she wanted.  Spock took a few days to get over his pain of abandonment.  My first night back in bed, he crawled up on my chest, which is something he’s never done before.  He’s back to his usual asshole self now.

Currently, I’m waiting and hoping for my turn for the COVID vaccine, so I can have more road trips like this on weekends.  As fun as that was, I’m sort of dreading it as well, because there are a lot of people travelling.  Right now, they shouldn’t be, but when we get safer, I’m afraid it’s just going to be madness on the roads and hotels.  The hotel I booked was sold out both times I was there.  Is it going to be like my dining options, having to go to my third best option for lodging?

Decisions

As mentioned in previous posts, yes, I’m re-exploring music.  I have purchased and set up my recording PC and now I have to focus on the devices.  This had led me to a difficult decision.

I have a keyboard that has been with me for over 20 years – the Roland RD-600.  It’s been an excellent device and I am very familiar with playing it.  However, over the years the keyboard has worn out.  Some keys will break, or more specifically, the hammers on the keys will break.  I’ve dealt with this for many years, replacing hammers one by one as they break.  It’s an annoyance for sure.  I even have a small cache of spare hammers that I purchased from the manufacturer when this first became a problem.

And it’s still a problem.  On day two of having my rig set back up,  I broke a hammer.  I took the RD-600 off the stand, flipped the board over, and undid all the screws to open the case.  Replaced the hammer and flipped it back over to resecure the case.  Put it back on the stand and another hammer had broken during the repair of the first.  I give up.  I put the kb back in its road case and brought out the other keyboard.

Now this other board is an Alesis QS8.  I bought it at a thrift shop for $100.  It had issues right out of the gate with being out of tune.  I was loathe to throw it away though and figured now I could do some tests on it.  I determined that the MIDI functions still worked (that they were sending the right notes), which is what I primarily needed for recording.  I also found the setting where I could retune the device, and things were looking a lot better now.  However, further testing showed that the pitch problems would randomly reappear, requiring another manual retune.  And as far as the MIDI was concerned, there was some random data being spewed out from a wheel controller that I had previously physically disconnected.  So, this device is not suitable for recording either.

I have two bum devices.  My choices are, replace or repair.  Buying a new device of the caliber of the RD-600 or QS8 is a $1600-$2700 purchase.  Along with that purchase comes a new keyboard action, which I may hate.  Obviously there’s going to be more modern features and technology involved which is a distinct positive, if I wasn’t planning on using virtual instruments anyway.

I investigated replacing the hammers in the RD-600.  I can’t recall how much the initial batch cost way back then, but on eBay, each hammer is currently about $10 plus shipping.  It’s probably looking like about $1000 to replace all the hammers in my 20-yr old keyboard.  I contacted Roland directly to order the parts and they simply refused to sell any replacement parts to me and told me to take to an authorized repair center.  Bastards.

So now the question is, spend $1000 or $2000?  To complicate the matter, if I do refurbish the RD-600, I’ll never get that money back.  Street value of an RD-600 has to be well south of $500.  Hell, I only paid $650 for it twenty years ago.  I would spend more on refurbishment than I did when I bought it used.  But, this is a board I am intimately familiar with, and if it lasted 20 years once, it will last again until I’m long gone.  The alternative?  I can buy a new keyboard with new technology (maybe more durable, maybe not), may have better action, maybe not, may be a lot of things and may not.  If I don’t like it, I can sell it.  Sell it for what, 80% of its purchase price?  75%?  Less?  Will I lose more than I would pay for the RD-600 hammers?

And it’s shit like this that keeps me from going anywhere.  Weighing the pros and cons and never making a decision.

Oh, what about the other kb, the Alesis?  Well, I have an open inquiry to a repair shop to see what it will cost for repair.  I’m sure I’ll have to pay a bench fee, but that’s reasonable to know whether the kb should be repaired or checked.  The problem isn’t mechanical like the Roland, but it is electronic.  That could be better or worse.  But it won’t be $10 88 times over.

But I made a decision anyway.  The Roland is going to get refurbished.  I think it deserves a second life and I’ll be comfortable using it for recording.  My decision was made on a few different points.  First, Roland makes no mention of the RD-600 in their support pages, so I don’t think the hammers will be available for too much longer.  Second, I found an eBay seller selling one octave of hammers (7 white/5 black) for $120 with free shipping.  With 7.2 octaves in a piano, I would be pretty safe buying 7 of these, for a total of $840.  That’s not $1000 and it’s not $2000, and it’s not $2500, which is the price of the new keyboard I tried that had a hammer action I liked.

The seller was unwilling to discount his price for a purchase of seven octaves, because he knew what he had.  He knew the part was either discontinued or was soon going to be discontinued and told me as much.  I paid his price.  And I still will pursue repairing the Alesis, for the right price.  There’s a small part of me that wants to rebuild a whole studio with racks of 80’s and 90’s physical keyboards, but holy shit is that an expensive idea.  Obviously, a lot of those sounds are coming back into vogue with new music, so prices have been soaring.  Pawn shops used to be used device gold mines, but I can’t imagine any shop not doing their EBay research and finding out the value of what they have.  So virtual devices will still be the way, with a solid controller.

One More Time Before I Go

A little more information on something I hinted at in a previous post… I’m still quite reluctant to say much about it because I’ve done this time and time again with no success or completion.  Hopefully, without having any expectations, I can meet my expectations.  The "news" is that I have pulled my music gear out of storage and set it up again, with tentative plans to do some recording.

There were multiple reasons I came to this.  I had some inspiration listening to some albums and wanted to see if I could still compose.  I wanted to do some justice to older pieces by re-recording them properly.  My hands and fingers are getting old and weak and I thought maybe playing would return some strength to them.

The last recording I had done was in 2008, when I wrote a bunch of heavy guitar songs for an album.  My voice was unable to perform well enough to do the vocal tracks and the audio was marred with recording glitches like audio bleed from other tracks.  But, the point is, I haven’t done music in over a decade.  Obviously things have changed since then, but I will still be doing things the way I have always known.

Step one was to see if I could even still play anymore.  I pulled out the keyboards and set them up in my music room.  With some headphones plugged in, I tried playing some familiar songs.  To my surprise, the muscle memory was still there.  I remembered most of my old songs, with some stops and pauses to refigure out bits here and there.  The playing was sloppy as I expected and my stamina was greatly reduced, as I also expected.  I only spent about 30 minutes or so that first day to get familiar with the keys again.  The next day I spent another half hour or more with other songs and my stamina had jumped surprisingly just in that one day.  Now, here on day three, the joints in my left hand are sore AF, so maybe I overdid it.  But, the future is somewhat promising.

If I’m going to do this, I’ll need a new computer for recording.  The second computer I had laying around was converted into a web and email server a while ago, so I need to make another purchase.  Here’s the thing.  Technology has advanced SO far since I was last doing this (13 years!), I don’t need to buy a 4-figure computer.  I don’t even have to buy a full-size computer.  I bought a refurbished mini computer for $300 that exceeds the power of any computer back then.  And of course, I needed a new monitor and keyboard.  This time, what I am doing is buying a floor stand for the monitor and a bracket to mount the mini PC behind the monitor.  I’ll place the stand behind my keyboards or mixer and can move it as needed.  New technology is really cool.

Without any real goals or timelines, I’m going to relax and get familiar with the software again.  That has always been an issue with me – the process of recording gets in the way of recording.  There’s a universal image of artists working in a home studio, laying down tracks and fiddling with effects and editing and whatnot, but the notion to me of having an engineer handling and managing all the recording process where the musician can focus on actually playing and making music – that’s the real thing.  And sadly, the evisceration of the recording industry has made that concept a rarity.  Still, I am a one-person team, so I have to do what I can.  In the past, I have rushed all my projects because I have had to wear multiple hats and if I spend too much time wearing one, the others suffer.  In the end it all suffers.

So, It was 2000 when I did my last keyboard album, 2006 when I finished my last Sequence album, 2008 when I finished my hard rock guitar album, and I’ve been wanting to start the loop over again for a long time.  Looking back in the journal, it seems like I had recording aspirations in 2014, but I had other interests going on at the time.  It seems the only time I can really compose and record is when I’m single.  So, now’s the time!  Still, no promises.

Looking Back, Looking Forward

Lots of ground to cover here, so be forewarned, and a lot of it is in the no-fucks-to-be-given-anymore realm, so be doubly forewarned.

To begin, all of this now is uncharted territory for me.  Recently I broke 50 years of age and maybe a couple years ago, you could not have convinced me otherwise I would be alive right now.  That plan had been in the works for many years prior and it was actually coming to fruition, meaning I was beginning my plans to hold down the power button on my life.  For whatever reason, I told my doctor about it and after the assistance of some significant pharmaceuticals, I remain.

You might think this is the ideal opportunity to completely reinvent myself, since these days were never planned for, they have no expectations.  But that is silly talk.  This is no "second wind".  That was maybe 15 years ago and I squeezed all the life out of it I had, after all, I had a plan for the finish line.  This is "coasting to the finish line."  This is more a period of reflection and maintenance and existence.  And some of that has been done recently and because it has no repercussions to me in this new uncharted, unplanned life, I have the willingness to jot all of it down.

Whether coincidental to my milestone birthday or not, I received an unsolicited package on my doorstep from my estranged brother.  Within were documents and photos of me and my family from the past.  Very likely, it was everything from my parents house before it was sold off, all of it crammed and scattered in a plastic tub.  Incredibly, of the picture frames loosely placed in the tub, two wooden and one metal frame were broken, and yet, no glass was broken.  The whole package carried a sentiment of "This is now out of my house and is your problem now."  So it is.

Sometimes, actually probably most times, when a new problem is thrust on me, it is pushed to the top of the stack instead of the end of the queue.  This new problem was no different.  So I right away took all the photos and documents out and sorted them on the floor.  I arranged them by photo size and put them into a new box for processing.  The processing I rather wanted to do was throw it all away.  However, my archivist instincts forced me to to evaluate the potential loss of this information, useful to only a few people, really, and of that, only of curiosity.  Since that evaluation result was greater than zero, I had to concede that at least a modicum of effort must be made to preserve it.  So, I chose to scan everything before disposal.

The next two days were spent swapping photos and pages in a flatbed scanner, hours on end, to capture everything in 300dpi.  Thinking back to my early computing days, this would be unfathomable.  The storage required for 300dpi scans of hundreds of photos would be an astronomical cost.  Each picture over 1MB in size?  Back then, things were huge if they were 300kb in size.  So, time and technology were on my side for this effort.  And personal time is also available as I don’t have much going on.  I am able to do another hobby concurrently with this task, however this did take precedence over a future pending project (maybe to be announced).

So, hundreds of photos from my past, many I’ve never seen before, suddenly fall in my lap.  How does an experience like that make you feel?  Well, it sort of forces you to reconcile your past with your present, and for me that wasn’t all that pleasant.

I did not have an unpleasant childhood.  I was extremely privileged.  I was spoiled.  However, I was also very solitary.  I never really had more than one or two friends at a time.  In ignorance of my affluence and despite the lack of socialization, I was a very fun-loving, happy child.  My parents liked taking pictures of me and while I wasn’t exactly a ham in front of the camera, I was willing and I behaved in an a non-self-conscience way that is polar opposite of the person I later became.

I’ve already hit upon one small personal demon so far, and I promised lots of ground to cover, so here’s a personal story tangent.

I’ve not done any real research on this, but I can be confident that in Psych circles there must be a topic of "survivor’s guilt" of success.  I carry that guilt.  In the current age, I feel horrible for younger generations who will never know how good things used to be.  I feel guilty that I grew up in more prosperous times, despite being through two financial crises, I’m more than holding my own.  I happened to fall into technology just as it was blooming and it has sustained me all my life.  I’m just starting to get into the age of discrimination where if I were to lose my job, I might have a more difficult time replacing it.  But still, I don’t think my time will be harder than someone just getting started who needs a BS or Masters degree for an entry-level job.

Seeing my childhood pictures reinforced all my feeling of having an unfair advantage in life.  I’m sure a therapist would say that’s not something that can be changed and I can’t feel guilt for something I had no control over, but discarding that self-awareness isn’t the ticket either.  Look at all the selfish, unreflective, unaware individuals polluting social media and the news today.  The world could use a little more humility and self-reflection.  And that was the crushing emotion of scanning my early childhood photos.  And then we continue on to later photos…

You can sort of see the change in my demeanor as I grew older, ending in the "sullen teenager" photos.  Why this happened, I can’t be entirely sure.  There are plenty of things that could contribute to it: my social isolation starting to bear fruit, my parents getting along less and starting to live independent lives, or maybe it was my brother.  I don’t want to pin all my misery in life on my brother, although we haven’t spoken in years and I have no desire to reconcile.  But to see childhood pictures of the two of us happy, then ending with me scowling at him in a picture with my prom date as he takes the pictures (compared to me beaming in pictures at my GF’s house as her dad took pictures), well, I don’t get along with his personality.  I have enough problem in my life without needing that too.

Then we get to photos after I’ve left home and am living on my own.  This should be peak life right here, young and healthy with no responsibilities, right?  But it wasn’t as good as I wanted.  I recall reading a confession by a famous person who said she wished she had a lot more sex when she was young.  And you know, that really resonates with me.  I’ve recently had some general observations that apply to me specifically, and again, at this point in my life, there’s no real shits to give about the me 30 years ago.

To sum it all up, my problem when I was in my teens and 20’s was that I was a "romantic".  That bullshit should be trotted out in your 40’s.  When you are young, sex is the thing, not love.  Growing up in a tiny, conservative town sort of limits your opportunities, but looking back, I surely could have made more happen.  While I was trying to woo girls with sincere displays of affection, they were being snatched up by more aggressive guys.  I promised stability, they promised fun.  As a 20-something, I had it all fucking wrong.  I was a 40 year old in a 20’s body.  Such a shame.  But thank god there was no social media back then.  If there was, I would publicly and ruthlessly labelled as "cringe", as the modern terminology goes.  "Cringe" has a lot of meaning, but the one I feel applies best here is, "you’re doing it really wrong and you don’t realize it."  It’s embarrassing.

The cringe factor is something that really digs at me when I think of my past.  Consider me and my competition.  For my part, I do the love letters, the poems, the flowers, all the romantic stuff.  The other guy just strikes up a conversation, gets friendly, then either pushes hard or builds a rapport until he gets laid.  His work is simple and risk free, mine requires lots of effort.  Again, this is complete bullshit when you’re young.  And when the guy has had enough of sex from her, he dumps her – no big deal whatsoever.  You might think that’s shitty behavior, but you know what, it doesn’t matter.  He’ll be remembered as "an asshole, but we had fun and he made me feel good," whereas I would be remembered as "that weird guy.  ew."  No contest.

While that’s really in the realm of MGTOW sentiment, I want to stress that if you’re pulling that 20’s shit in you’re 40’s, you are an unredeemable asshole and you deserve to die alone.  There is a time to act like you’re young and a time to act like an adult.  Unfortunately, I never had my time of acting young.

So that sums up my reflections on life from 600+ photos dropped on my doorstep, as well as my reflections on life past 50 that I never intended to have.  Life is good and it can always be worse in hindsight.

Fiction Never More Real

One of my guilty pleasures is comic strips.  I like quite a few, from the daily ones, to the political ones, to the ones that are multi-page in scope.  But, oddly, I don’t like comic books (or graphic novels as they prefer to be called).  Anyway, I have some comics that I follow pretty regularly.  The political ones bring me down and the others lift me back up, so I maintain equilibrium. 

One of the comics that I follow, though, has somewhat become like a stone in my shoe.  It just bugs me.  The strip is Adam @ Home and is about a work-at-home dad and his family.  When I came into the strip, the topic was primarily about Adam’s issues with technology.  But lately, the strips are really focused on his kids.  It’s probably obvious those two topics are the two polar extremes of my entertainment.  And while that irked me, I know that themes can come and go in a long-running strip.  When I go back to earlier strips, there are runs of other topics that take over as well.  I can deal.

But one day, I found out that the entirety of the series was online.  Highly interested, I went and started reading from the beginning.  And you know, considering themes and topics and changes and all, it was a totally different comic strip in the beginning.  It was a strip about a husband and wife and their (then smaller) family.  While Adam was still working at home, it had a lot of Mr. Mom kind of things in it as well as a lot of honest friction where Adam’s wife would come home from work exhausted and Adam didn’t do any housework.  It was turning the whole "stay-at-home mom’s don’t do anything" on the guys.  To be honest, Adam was really being a selfish asshole.  And there was more than a few mentions of his wife being too tired for sex.  Despite that, there was a strip where his wife left work early to get back home and have sex while the kids were at school.  What the fuck?  Is this the same comic strip?

I actually stopped reading the historical strips shortly after the mid-day sex strip because I couldn’t reconcile was then and what was now.  In the present, there is zero, and I mean zero affection between Adam and his wife.  They are never shown embracing or even interacting beyond discussing random, neutral topics, or their kids.  It’s almost always Adam talking to his kids or sometimes the wife talking to the kids.  If I had to read all the strips between then and now, knowing what they would become, it would be more depressing than the political strips I read on occasion.  What the hell happened to this couple?

What actually spurred me to write this post was something so outrageous it just infuriated me.  So, Adam works at home, right.  In the present, he’s a freelance writer taking small jobs here and there.  When not on a job, he’s trying to write something.  A novel, a play, a screenplay, anything.  He’s consistently unsuccessful.  His wife works at a bookstore, but I don’t exactly know what’s been going on during the pandemic, whether the store has been open or not.  I have to assume they have some steady income somehow.

So, the other day, the wife and Adam have a rare conversation together.  The wife wants to confess something to Adam and is unsure how he’ll take it.  What’s the bombshell?  She says she’s written a novel.  So, you know, Adam, being a writer by trade, and yet very unsuccessful at writing, reacts as you would expect.

My reaction is completely different.  This is your fucking wife, your life partner, and you had no idea she was writing a novel?  Do you even communicate?  Do you even pay attention to her?  From participating in NaNoWriMo myself, I was able to crank out a 50k word story in a month, but that was multiple hours night after night doing nothing but writing.  And that’s after many years of blogging and writing in general, so I wasn’t exactly starting from scratch.  One of my friends is a real writer, like published and shit.  Writing is her full-time job.  For Adam’s wife to write a novel from nothing is not exactly trivial.  I’m not saying that can’t be done, I’m saying it should not have gone unnoticed by her husband and her kids.  And if it did go unnoticed, what a fucking sad sack of a family that is.

But it’s just another devastating blow to a fictional family.  You know, as a writer, of words or comics, your goal is to get people invested in the characters.  And it’s painful when your emotional investment in them is discarded for cheap.  Oh, Dilbert of old, where have you gone?  (Off to the land of Narcissism, you cuck!!)  But anyway, to wrap it up, I’m just a little hurt that a comic that started out trying to discuss real relationship issues between a working mom and stay at home dad, and the dad’s continuing difficulties in adapting, has turned into an emotionless cast of characters just moving from one day to the next with no continuity or persistence.