Category Archives: About Me - Page 5

A Journey On A Rocket(book)

It was in 2017 that I was first introduced to Rocketbook, which is an amalgamation of a couple different technologies having a common goal.  The first and probably primary technology is their mobile application that will scan pages and upload them to one or multiple of a variety of Internet destinations.  This app can be used independent of the other technology by printing downloadable template pages from their website.  So in effect, it’s entirely free, if you want it to be.

The other technology their offer is journals of preprinted pages made with a special paper that can be erased and reused.  The only requirement is that you use a special pen, which is not proprietary and can be purchased at most any office supply store.  The journals were limited in scope initially, but it seems the company is realizing that’s all they really have as a growth engine right now, so they are putting out more varied journals with many different formatted pages.

I’ve wanted to really get into Rocketbook for a long time; well, it’s been 4 years now.  I never could.  My first purchase didn’t work for me mainly because the pages of the journals I bought had dot grids instead of lines.  And they didn’t even offer lined pages back then.  So I eventually gave up on it.

Years later, around the time I was looking at changing jobs, I said to myself I was going to implement Rocketbook into my new job.  A few jobs prior, I used to keep a spiral paper notebook and kept notes constantly.  It worked very well for me then and I thought I should do that again.  Rocketbook has journals with lined pages now, so I purchased one.  Through a mistake, I got their top model, the Fusion, which had lined, dot grid, and planning pages in it.  I thought this could work very well.

On my first few days of my job, I did use the Rocketbook, but it just didn’t really make much sense.  Yeah, I could write some notes and later upload it to my personal OneDrive on the company’s Office cloud site for future reference, but what was it really gaining me?  I didn’t think I would be able to really find the notes that I wanted.  I was becoming disillusioned again.

To overcome this, I did a lot of searching online as to how other people used their Rocketbook.  I saw tons of bullet journals with a variety of styles.  Anything artistic was out of the question for me.  the majority were, and that’s how I presumed bullet journaling worked.  However, along the way, I learned a few important tricks.  One was that people were designing their own page styles, or templates.  They would draw out their template in permanent ink and use the erasable ink of those special pens to fill it out so they could wipe it clean and start over after uploading it.  Ok, that was pretty cool.

The other thing that I learned was that the special paper Rocketbook used was available by a different company.  The paper was called Terraslate, and you could print your templates onto it with a laser printer.  Now that’s something I could work with.  Give me a ruler and a marker and I’m a moron.  Give me something simple to lay out a page with, like Word, and I’m capable.  I tucked that idea back in my mind to figure out how I would use it.

That week, as I was assigned work to do, I jotted down the tasks and notes on what the more experienced developer was telling me I had to do.  I had split the page into thirds and had one task in each section.  Near the completion of these tasks, the template idea was starting to take form.  This was my vision:

I would have one sheet per task.  Put the project number and relevant database name at the top in the heading.  Break the page into thirds, each section being: Business notes, Database notes, and Code notes.  When the task was complete, I would upload the page to OneNote in a section called Projects with the project number as the title.  Then I wipe the page clear because I’m done with it.

Over the weekend I worked on designing the template and added in a couple of things that would be useful.  Because my employer is highly process-driven, there are several steps that the project goes through before I can consider it "done".  I put a box in the corner with the different statuses and a line for the date they went into that status.  When all the dates are filled, then the task is done.  Because certain tasks have a special related database task that is tracked separately and has its own timeline, I made a box with statuses for that as well.  Because there is a parallel project tracking system with statuses of its own that needs to be updated (yeah, I know…), I made a box for that with fillable circles for tracking in that system. 

The current version of the template is beneficial for a company newbie like myself, because it separates the different areas of work you have to do, between database and code, with an area for comments for business rules and testing data. Plus it also guides you through the different stages of the process that must be followed.  I’m a little excited to put it into practice.

Excited enough that I’ve also planned out my custom Rocketbook.  I purchased a 25-page pack of Terraslate paper and to create my book, I jumped into the world of disc binding, which has been around for decades and yet I’ve never heard of.  I ordered a page punch and a journal in which to put my new pseudo-Rocketbook pages.

The whole creative project has led to a revelation on the strength of Rocketbook that I don’t think I’ve read about anywhere else.  As a notebook, I feel Rocketbook is a little weak, because for me, the reason I write in a notebook is because I want that same medium when I read it back, if that makes sense.  writing in a physical book and reading on a screen just doesn’t work for me.  As a planner, Rocketbook makes a bit more sense, because you have a constantly cycling period, where old stuff disappears and new stuff is created.  However, I’m not a planner.  I know I would not succeed if I were to attempt it.  That’s not to say I don’t plan, I just don’t do it that way.

But, what is something that is required up to a certain point and then either discarded or preserved forever with only historical significance?  Forms.  And my little template is an example of a form.  You fill it out, you complete it, and you file it.  This could be done on paper – I have a template I can print out right now.  I could make a binder of them.  But when searching for history, that’s where technology shines.  By ditching the physical and making it virtual, there’s no lingering weight and lookup is at least as fast and probably faster.  Someone asks me what I did on a project, I simply search for the number and all my notes are right there.

Let me repeat that revelation.  Rocketbook’s two defining features: scanning documents for electronic filing and reusable paper is absolutely a perfect fit for businesses that utilize forms.  Order forms, purchase orders, work orders, customer surveys, lead sheets, the list goes on.  Now, I realize times have changed and now a lot of companies do all those forms on digital tablets.  But there’s still a need for paper.  Things that need signed, for instance.  And there’s probably an argument that could be made that certain things are just better suited for paper, especially if they involve sketches or other notations that don’t translate to digital forms.  But that’s something that each business could decide on their own.

For me and my purposes, I am gaining the structure of a templated document with process-flow guides and the tactility of paper with none of the waste or disposal of used paper.  the discbound system will let me pull a page out to write on or compare to another page side by side.  I can pull a page out and place it in different section for wiping or because it’s been postponed.  As I grow in my job and improve my workflow, I can design more templates to keep me consistent.  And starting early is actually a huge benefit.

So maybe I’m finally on my way on this rocket.  Right behind Amazon-man and Virgin-man.

Being Stupid Outdoors

Somewhere around 10 years ago, I got into hiking, which is a more impressive way of saying walking outside.  The local terrain doesn’t really constitute what I would call hiking, since it’s just flatland.  But regardless, it is outside and it is on a trail, so I can say that I hiked trails.  I was a hiker.

I did that for some time and eventually it kind of stopped being a thing.  I just slowly stopped doing it.  But recently, I’ve decided I want to start doing the hiking again.  it was a tentative beginning, I wasn’t sure if I would still enjoy a physical activity and honestly, I didn’t see any way it would be fun.  It sounded boring now, but whatever I was or wasn’t doing around the house was as much or more boring, so I also didn’t have much to lose.  And anyway I needed to do something to take positive strides in my health. 

I was 10 years younger back then, and as you get older, that nice round milestone becomes more and more significant.  However, I never have seen myself as the actual age I am.  Maybe I’m deluded or stupid or something, but I don’t think I am my age.  I probably think and act my age, but I don’t perceive myself that way.  The point I’m trying to make here is, however I was then, that’s how I think I am now, and I’m probably not.  And that’s not smart.  My new experiences with hiking have been a collection of smart and not so smart things; mostly the latter.  So I will chronicle the most recent events.

A couple weeks ago, we had a tropical storm moving in.  This caused me concern, not because of the storm itself, but because of the coming rain.  All of the nearby trails have been flooded from the summer monsoon and it pisses me off.  If there’s a couple days without downpours, the flooded trails can turn into muck instead of lakes, which makes the hike more tolerable.  The first time I had visited this particular trail, I had left the house and a mile down the road realized I did not change into my hiking boots, I still had my sneakers.  "It’ll be fine," I said.  "This trail is not as low as the other one I go to."  When I get there, right past the entrance gate – lake.  I had to go back home and change into my boots.  I haven’t made that mistake again.

Since that time, I’d been back to that trail and the water had gone down, mostly.  But today I was trying to get in a hike before the tropical storm hit.  I checked the radar and it looked fine.  I did not consider, and I should have known, weather here changes fast.  So I get a mile or so out on the trail and I’m seeing some dark clouds forming.  "It’ll be fine."  Then it becomes obvious that it’s not going to be fine and I need to get back to the car, like soon.  The moment of my realization was captured by my fitness band.

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I suffered a few minutes of downpour, but I escaped the worst of the storm, and there was no nearby lightning, which was the bigger concern, since these trails are open fields.  Lesson learned?  I got caught in another downpour on another day and I was far enough out on the trail to cause me to don my rain jacket I carry in my pack.  So, no.

Last week, I decided I was going to do a bigger hike, which at this point in my redevelopment is over 5 miles.  If you think that’s weaksauce, remember I am doing this while the temperature and humidity are over 90.  To reduce UV exposure, I wear a long-sleeve sun shirt, but I’m still wearing shorts.  I need to get some water-wicking hiking pants.  I reset my GPS and set my exercise band and go.  And very quickly, the sweat starts to go too, because I’m upping my pace to cover more ground quickly.  10 years ago, I could cover 5 miles in an hour.  Based on past hiking records, I move about 75% of that speed now and I need to get that speed back.

I have a trail map and I refer to it frequently, but it’s disintegrating from being soaked with sweat in my pocket.  At some point, I checked my band to see how far I’d gone.  My sweat-soaked sleeve had impersonated a finger and cancelled my recorded hike.  That had happened about 1.5 miles in.  No idea how far I’d gone since then.  I checked my GPS and it said I was about 2.5 miles.  Ugh.  Onward I went, referring often to the soggy paper map for what path I wanted to take to loop me around and back close to the entrance.

I ended up on an unmaintained part of trail and worse, it was flooded.  I thought I’d be better off pressing forward than backtracking so I navigated the water best I could.  Luckily none was over ankle deep so my socks stayed dry.  Still it slowed me down.  I checked my GPS to see where I was, relative to the path I had taken so far.  The GPS battery is dead.  Right now, I have no idea if I am better off going forward or backward or exactly where I am on the trail.  I really have no idea how hikers survived without GPS units.

As luck would have it (because it ain’t been brains), I had purchased replacement batteries and packed them just before leaving for the hike.  With a quick swap of batteries, I had GPS again.  And I saw that the GPS had died some time ago.  So now, I had no reliable track from either my band or the GPS to tell me how far my hike was today.  Yay.  I’m done.

The trail continues to be flooded, so at the first sign of a cutoff path that would lead me back to my prior track, I took it.  Granted, it was not on my paper map, so I was making an educated (if that’s even possibly appropriate at this point) guess.  The trail dried out and and I also continued to dry out.  After a certain point, your body won’t absorb moisture quick enough to replenish what’s been lost, and I feel I was there, or close to there.  I was mouth breathing at this point.  My gait was unsteady.  I was walking with a forward lean.  None of this was good.

But as I’m not writing this from the afterlife, I did make it back to my car.  Not without getting bit by a deer fly, twice.  It’s almost been a week and I’m still suffering from the bite on my knee.

Despite the stupidity I’d accomplished so far and my knee still swollen and itching (but not sore or painful), I decided to grab a quick hike after work yesterday.  Again, I planned this as a 5+ hike.  I would go to the trail nearest me to start as soon as possible.  I got on the trail at about 5:30.  The first mile was a warmup pace, then I sped it up.  I didn’t have a trail map, but had a decent memory of the trails and the path I wanted to take.  After a short trail ended in a tiny loop, I doubled my path and ended up on the big loop.  I had been on the trail a couple weeks ago and it was totally flooded, so I hoped things had improved.  I was pleased to see that the area that stopped me before was dried out.  And I kept going.

Probably about 50% of the way through the trail loop – lake.  About 30 feet of water with no high spots and certainly more than ankle deep.  I had plenty of expletives to summarize the situation.  I had no choice but to backtrack my whole track, which was over 3 miles at that point.  Not only that, but the sun was going down.

Once I got all the swearing out of my system, I just resigned myself to my fate.  And no point in pretending to be tired, sun’s setting, gotta go fast.  And so I did.  I upped my pace to the quickest of the entire hike and went back the entire length of the trail.  And lets not discount the fact that mosquitos really love dusk, in a swamp.

All told, that hike was 6.75 miles, accomplished in exactly 2 hours.  So far, my dumbest hike this year.  But there’s still plenty of days left in the year, plenty of chances to beat that record.

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Aerobic training effect: "Improvement".  Fuck you.

The Stars And What They Mean

Almost exactly 3 years ago, I was mulling over how to apply star ratings to albums so I could sort of make some sense of my music collection.  I actually never went through with it, but now I’m considering tackling something even bigger – applying ratings to the songs.

The big motivator here is building playlists.  When I first started with Plex, I had a vision of kind of a radio station feel to the whole thing, and appropriately, I made playlists that sounded like radio stations, or more like channels on XM.  And that worked pretty well for a while.  At some point, I can’t remember what happened, but I lost all my playlists and had to recreate them.  Ugh.

I remade some of my more used playlists and then I started reconsidering the others and broke them up into decades and sometimes by genre.  The problem there was sometimes I didn’t want to listen to all one decade of music.  So I made one massive playlist of all the singles in all decades.  And that one has been pretty much my go-to when I just need background music.  Realistically, I’m only playing 3 different playlists, but maybe with better metadata, that can change.

One big hurdle I’m facing is that there seems to be no way to get the ratings in and out of Plex from the files.  So whatever ratings I do, I would have to duplicate the effort in both Plex and the files.  And putting the ratings in the files has no benefit because Plex can’t import them (yet).  That sort of makes my Plex library more fragile, since there’s data in there I can’t just lose without a lot of effort lost as well.

Anyway, to disregard that problem for the moment, a bigger problem was how to efficiently get all that data?  Let’s step back even a little further, what exactly am I planning on with these ratings?

That point was something I dwelled on for a while.  I went around on it for a little while.  I considered using Plex collections, but those are only for albums, not songs.  Songs have Plex tags, and I looked into using them.  I thought maybe tags like "Single", "Top40", "Top10", and "#1" might be good.  But my inner software architect was displeased.  Initially, you would assume that "Top10" would also mean the track was "Top40" and also "Single" because of the inclusive nature.  So you’d only need one tag per song.  But that’s going to make the filters (queries) really messy because you have to put that logic into the filter.  If you want a list of "Singles" you have to also include "Top40, "Top10", etc.  The alterative is to use all appropriate tags where needed, so a #1 song would have all four tags on it.  That’s not pleasant either.  ugh.

So going back to the thoughts I had in my earlier post, what if I just made the star rating mean whatever I want it to mean.  So I quickly wrote down a scale:

1 star – Single
2 stars – Top 100
3 stars – Top 40
4 stars – Top 10
5 stars – #1

I think that’s usable.  And before I change my mind on it, how about that efficiency concern, now?  I had almost 2000 albums to go through and determine which songs were released as singles and what their position was on the charts.  And which chart, at that?

So obviously there’s a bunch of compromises that need to be made in this process.  The first was determining what stars mean.  The next will be starting with one source of data.  I considered I could use Wikipedia and look up each album to get the singles and chart positions, but that is woefully underpopulated, so I can’t use that for my primary source.  Billboard does this stuff for a living, I could try them.

As it turned out, someone had made a downloadable dataset of all the songs and chart positions on Billboard’s Hot 100 charts up to 2020 (far more than I needed).  After a quick download and import into a SQL database for easy querying, I felt I was closer.  While I was going to miss out on any 1-star entries, the dataset of the Hot 100 would cover 2-5 star entries, and I could backfill later.

At this particular point, I’m not able to do any automation of the rating import, because I can’t figure out how Plex stores the rating in their database.  I manually changed some things and didn’t see any data changes in the database, so initially, it’s going to be manual entry.  And then I can start building playlists based on singles and chart position, maybe mixing genre and release year into it.  Hopefully that gets me somewhere pretty good.

Whole-Life Fulfillment

It was back in 2016 that I had made a post talking about my life insurance policies and how such policies were considered to be a bad decision by many economic people and I argued in favor of having the policies.  I had said that at some unknown future point, my insurance would be free.  Well, I was doing some account maintenance and review because of an upcoming significant life change and guess what?  That time has come.  I’m not going to go back in time and try to determine when I actually crossed that line, but I can say in 2021, I have made more in dividends than I have made in payments.

Here’s the actual numbers involved.  I pay about $135/mo for my two insurance policies.  So far in 2021, I’ve paid $945 in insurance premiums.  Now I don’t regularly check the balance of my whole-life policy because it’s not something that really needs any attention.  I’ve checked it three times this year and in those three times, the cash value of the account has grown $1433.  If it’s not obvious, that number is larger than $945.

Insurance is a bill, an expense in your life.  You should consider it lost money.  Even more so because you’re not supposed to get any benefit out of it – it’s for other people.  Not so with Whole Life policies, there is a cash value that you can access in retirement.  Detractors say that whole life policies are savings accounts for people who can’t save, because the deposits are faked as a bill.  So what!  It works.

So if my dividends for the year were anything over $945, I am effectively in the black.  And almost being 50% above my deposits, that is a decent return.  So now that this goal has been met, let’s look a little harder at the big picture.  This should make the naysayers feel more superior.

According to records, I have had my insurance policy since June, 2007.  My payment has actually gone down a little bit as the years have gone by, but $135/mo is a fair average of what I’ve paid a month.  So, how much have I paid to have insurance all those years?  Looks like almost $23k.  What is my current cash value of the account? A little over $17k.  If I want to be slippery about this I could say I’ve effectively paid $6k for 14 years of insurance, which is about $35/mo.  My $100k term life policy is like $16/mo, so I’ve been getting my whole life policy at term life rates.

But that whole discussion is just like dealing with percentages.  It’s bullshit.  Here’s the bottom line.  I purchased insurance at a rate that was not a hardship for me.  I’ve maintained that policy for 14 years.  The policy is no longer an expense and is now an investment.  It is behaving exactly how it was sold to me.

I do not believe whole-life policies are evil if they are crafted properly by a reputable company.

Superstitions

Elsewhere, I had made a post talking about buying new chairs.  Today I am going to pick up one of those chairs and the other I think I’m going to hold off on until a major sale, Labor Day I think is the next one.  But my decision to buy the first chair was more than just, it’s a good chair or it’s a good price.  I felt there was something else that was prompting me to buy that chair there.

One of my friends is very superstitious, not in a bad way, but more in a way of seeing signs in a lot of things that normally I wouldn’t even give a second thought about.  I feel she would understand this.  When I first went to the store, I wanted an office chair.  That term probably conjures up a very specific image in your head and that’s what I was looking for, whether it be a high-back or a low-back version.  At sometime shortly after I entered the store, I had the thought of, did it have to be an office chair?  Because for whatever reason, I remembered that when I was young and poor, I never had an office chair; I had used dining chairs.  I have a very faint memory of buying two chairs from the oddball/clearance section of a furniture store and those chairs lasted a long time and eventually disintegrated.

As you would expect, I was greeted at the door by a salesperson who asked me what I was looking for and I said I wanted to see everything, but was looking for a desk chair.  She let me go off but frequently kept checking up on me.  At one point I told I didn’t have to have an office chair, it might be fine to have a dining chair.  Then I commented that some of the desks in the showroom seemed to be using dining chairs.  And then we passed by her desk and this was her chair.

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I am very convinced that is the exact same chair I was using at my desk 30 years ago.  The color is darker, but everything else is the same.  The chair even still had its original product label hanging on it.  What a nostalgia trip.

Some people might just say that’s a coincidence.  Ok.  It’s also a coincidence that there was a singleton chair in the farthest corner of their clearance section with no matching pieces.  Not a set of chairs or a pair of chairs, just one.  And I was looking for one chair.  Sure, that’s entirely likely.  Well, yeah, I guess it is. 

People want to attach more meaning to things than may be warranted.  After all, aren’t we seeing the greatest mass delusion in history playing out right now?  But maybe having some insight and recognition can open you up to new possibilities.  Maybe if I hadn’t noticed her desk chair I wouldn’t have been inspired to search every corner of the building.  Who knows?

I just went looking.  I found it.  Yes.  That is the same chair.  Slightly different frame, but yes.

Apr 99 Batch (4)

And surprisingly or not, the new chair is going to be in the same function, the desk chair for my recording studio.

The Last Time

I have probably talked about it before in other posts just in passing, but this is something that has been on my mind more frequently.  It was most obvious when I replace the roof on my house, which came with a 30 year warranty.  The realization was, "I’m never going to do this again in my lifetime."  And that started snowballing into analysis of what else was going to be the last time I ever did something.  I just bought a high-quality couch and I don’t expect I’ll be spending that kind of money on a couch ever again.

A lot of it is purposely buying things that will outlive you.  There are some things that I’ve purchased that I didn’t expect to last as long as they have, like my office desk and its matching accessories.  They’re business-grade furniture pieces and they are holding up amazingly well after 15 years.

On another viewpoint of that, I was considering my house.  I have a 3 bedroom house.  There’s the master, the guest, and the third is my listening room with my stereo.  In that consideration, I came to the conclusion that I don’t need a guest room.  I’m never going to have a guest in my house.  I literally have no friends that would visit.  If they did, they’d stay at a hotel.  That room is literally wasted space.

The fact it took so long for me to come to that conclusion is surprising to me, and in a way, it’s not.  It’s kind of instilled in you that you need to have guest accommodations.  For why?  Just in case!  You never know.  But I really should know.  My life is not that complex.  I don’t have or want a lot of connections.  It’s just an old-fashioned tradition that doesn’t need to be in this modern world of convenience.

So I decided.  No more guest bedroom.  It’s going to be another room for me, not a room for some mystery nobody that’s never going to show up.  Like JG Wentworth paraphrased, it’s my space and I want it now!  Getting a high utilization out of this house is key to maximizing value.  Otherwise, why don’t I have a two bedroom house?  Because then I wouldn’t have a listening room.

In my daydreams, I thought it would be great to have a big house with a bunch of different rooms and each room could serve one purpose.  I never really looked at what I had and realized I had the space to create a room with a defined purpose – and that purpose not be "being empty".

So, it was a year or so ago when I hosted a guest who had COVID and had to isolate in the guest room.  And oddly enough, at the time, I didn’t realize that would be the last time I would have a guest staying in the house.

Lessons To Learn

In my previous post, I talked about music and "remastering" some of my old music.  Where I left off is that I was trying to redo some old keyboard pieces that used the Yamaha SW1000XG.  I bought a Yamaha MU80 as a replacement and that didn’t have the same sounds, so I bought an MU100.  To my surprise, again, not the same sounds.  So while I lick my $400 wounds and decide how I want to go from here, I made progressions on another musical concept.

I had written some guitar tunes a long while back, before I became a more aware and less offensive person.  As fortune would have it at that time, my voice could not cope with the style of singing required for the songs, so all I had recorded was the music.  There are some guide vocals in some songs, which are cringey to say the least.  It’s for the best they stay muted.  But anyway, the recording of the instrument parts left a bit to be desired as well, so I set myself to it to clean those up.

The first issue, which is just like the Yamaha issue, is trying to find the effects that I used when recording the tracks.  After many failed attempts to match up the guitar effects plugins, I gave up and chose new effect patches for the tracks.  They don’t sound the same as the originals, but no one’s heard the originals, so whatever.

The next step was cleanup.  In the original recording, there was a major problem with bleedthough in the mixer I owned, so a lot of tracks have a background noise of the click track.  Through a lot of clever editing and some aggressive fadeouts, I was able to hide any noticeable clicks.  As I made those edits, I determined how to best organize the project for mixdown.  This led to a solution of having the midi drum track span the full length of the song, including pre-silence and fadeout.  That way I could set the locators (which determine what part to mixdown) to the selected drum track and be good to go.

The step after that was mixing, burning, and testing the tracks in CD players: home and car, plus through computer speakers.  I have a spindle of 100 CDRs that I never thought I’d use.  I’m going to use them now.  As I did my tests, I adjusted track times, in cases where the mix cut off too quickly or in some cases, didn’t leave enough lead space for a CD player to audibly start the track immediately.  That was weird: that even if you want a track to start absolutely immediately, you still need a small bit of silence at the beginning otherwise it sort of quickly fades in.

And that was actually a problem, because I had two tracks that segued into one another – I couldn’t have a silent gap between them.  This issue was compounded by the software I was using to write the CDs.  Coming up with a resolution involved another step and more software.  To solve the gapless issue, I had to create a CUE sheet, which would identify the exact placement of the track boundaries on the disc.  And instead of burning multiple audio files, you burn one file that contains the whole CD audio.  The CUE file points to sections in that one audio file.

So now I have to create a single file of the entire album’s audio.  And this forced me to do the proper step of CD mastering.  In this step you work with all the mixed tracks together at once and make them sound cohesive.  And at the same time, you work out the timing of the tracks and the gaps between them.  It was something I was aware of in my listening tests – that some tracks needed volume adjustments – and the mastering process gave me that opportunity to balance everything out.  It’s something I expect to do in future projects.

So I’m up to test disc #6 now, which contains the level-matched tracks and also the gapless track changes where needed thanks to the CUE file.  When I burnt the CD using a new utility that utilized CUE files, I noticed some mentions of CD-TEXT being written, which allows CD players to pick up and display the track title.  I haven’t been able to see that in any players I’ve tried yet, but that’s another target to hit for future test versions.

Musical Progressions

It was a while ago I made a post with a lot of reservations.  It was regarding hauling out my music stuff and getting back into music.  And my reservations at the time were that I wasn’t going to get very far with my initiative because I’d been through the process many times in the past and each time ended up packing everything up and putting it away with nothing to show for the effort.

And, well, this is somewhat the same in that it has not been too productive.  I developed one idea I’d had for many years, but haven’t gotten enough to really make something concrete.  And while that was developing, I also worked on getting the recording station all set up.  I bought a new micro computer, monitor, and monitor stand.  I installed and set up my old Cubase software (which is way behind the times and yet more than I’ll ever need).  Although that’s all ready to go, I haven’t really started anything.

I knew I would have an uphill battle getting my physical abilities back since I hadn’t played in such a long time.  To my surprise, my capability came back faster than expected.  However, I plateaued quickly and my stamina was much diminished, so that was a little discouraging.

Instead of giving up, I decided to pivot a little bit and try to get some inspiration and relearn some engineering technique.  I have a lot of old music that exists in MP3 format.  It should be in FLAC format to be of the best quality.  Additionally, some of those songs need a little improvement.  One in particular has the beginning sort of cut off and I have no idea why I accepted that at the time.  Since I have the "source files" for the songs, I should "remaster" them in a sense and bring them up to a standard where I won’t need to worry about quality anymore.

What does that entail?  Well, I have to recreate the recording setup I had back when I recorded them.  This is not a trivial matter for me or for anyone who has ever attempted something like this.  While my case is relatively simple, imagine an actual professional musician trying to track down vintage synthesizers and recreating the patches that were used on each track.  It highlights the need for documentation in a studio.  I admit, I didn’t do hardly any – I never really gave it any thought.  So when I loaded up one of my old files and got a message about missing plugins, I essentially have to go hunting for vintage synthesizers.

After a certain length of time, there isn’t much hope for me to recreate some of the music as I would need thousands of dollars worth of older synths to do it, but a lot of my newer stuff used virtual synths and I still have that software.  I mean, most of it, I do.  Some I had to really go out and hunt for as it was discontinued.  I still don’t know if I have it all yet.  I’ve only worked on a couple songs.  Always keep backups of everything.

One of the bigger problems I faced is that I used a synth from the time that was on a sound card – the Yamaha SW1000XG.  I do still have that card, but I can’t install it in my new micro PC system.  I was able to find a virtual version of the same synth, called the SY50XG, but it had a serious problem where you couldn’t directly select the patches per channel.  You have to do patch changes through SysEx messages.  That’s not insurmountable, except for the fact that I don’t know the exact patch that I need.  That lack of documentation, you see.

So, money to the rescue, as usual.  The SW1000XG is supposedly a PC card version of the Yamaha MU80 synth module.  I was able to find one for under $150 on EBay, shipped from Japan.  When it arrives, I should hopefully have everything I need to recreate the old songs and remix them at full FLAC fidelity.  All I should have to do is change the port from what was the SW1000XG to the MU80 and the patch I had selected on the old synth should map right to the new one.

But even this overall process is a real pain.  My recording workstation is not comfortable.  I have the choice of standing or sitting on a wood stool.  The keyboard is a mini keyboard with embedded touchpad, like using a laptop.  And all this equipment is in my music room, so there’s no real space to stretch out.  I feel like I need to eliminate my guest bedroom and make that a studio room, but I don’t want to do something drastic like that yet.

Over the long weekend, I worked on the project on and off in something like 30-minute increments.  Most of it was installing missing software synths and testing them out.  The recording PC is not network connected, so if I needed anything, I would have to walk back and forth between that and my regular PC in another room, transferring files on a USB drive (they used to call that "sneakernet" in the days before widespread computer networks).  So that process was annoying and exhausting in itself.

But I guess the big positive takeaway is that I haven’t given up yet.

Follow-up edit:

It turns out the MU80 is not the same thing as an SW1000XG.  After receiving the device and integrating it with my setup, I tested it out on a track I knew to use a lot of Yamaha sounds.  Very specifically, the drum kit I needed didn’t exist on the MU80.  Research, which I should have done before purchasing, would have given me the information I needed.  One web site gushing about the SW1000XG having 1200 sounds and 46 drum kits, then a Wikipedia article for the Yamaha MU series listing the different models and their capabilities gave me the full story.

The SW1000XG came out in 1998.  The MU80 came out in 1994 and had 729 sounds and 21 drum kits.  The MU100 came out in 1997 and had 1267 sounds and 46 drum kits.  And, you know, even if I was dumb enough to ignore the timeline, I should have given some credit to the model naming scheme.

The end result is I have to buy a Yamaha MU100, meaning I now have an extra sound module that is of little use to me.  Luckily, they aren’t that much more expensive than the MU80, but still, double the cost kind of sucks.  I suppose I can sell the MU80 and recoup some of that cost.

BTC FOMO WTF, I Dunno

There’s plenty of talk recently about bitcoin.  It’s something I’ve never understood, believed in, or trusted.  However, I feel it’s finally come time for me to at least have a conversational knowledge of it.  I don’t fully understand it from a technical perspective, because I do know enough about that part to retain my stance that I don’t believe in it or trust it.  What I want to be able to do is explain the (or a) process of using bitcoin.  Because I expect at some point, someone if going to ask me about it and how to get into it and when I say I don’t know, they’re going to think I’m stupid, because I’m supposed to be the all-knowing geek.

I start my quest with general searches on buying bitcoin.  Obviously, you need a place to store your stupid, fake money.  You can choose to have it stored on someone else’s website.  Yeah right.  I’ve been on the internet for a very long time.  You don’t trust the fucking internet for anything.  If not on someone’s website, you can store it in software on your computer or on a dedicated storage device.  This has a parallel to password vaults.  You can store your passwords in a vault online, like LastPass or you can store them in a file on your computer, like KeePass.  I chose KeePass, and I will choose the same for my bitcoin wallet.  Step 1 sort of complete.

I choose to install one of the better known wallet apps called Electrum.  I run through the default wallet setup, storing all the security information in KeePass in a symbiotic relationship.  Ok.  I’m ready to make a purchase now.  Gonna buy some fake money.

More searches on where to buy bitcoin.  I go to the first recommended place and start the process.  I’m immediately hit with a request for ID.  I have to submit a picture of an ID, either drivers license or passport, plus a picture of me holding the document.  Are you fucking kidding me?  What did I just say, you don’t trust the fucking internet.  We’re dealing with an unregulated product here, there’s nothing ensuring any security of any kind and you want me to give you a copy of my ID?  You can fuck right off.

Further research suggests that bitcoin is getting a little more legitimacy at least in the idea that it can be taxed by the IRS.  I don’t know if that’s a good thing or not.  Mostly I think it’s not.  If eliminating the anonymous aspect of bitcoin is the price of legitimacy, I don’t know.  So I look deeper.  I find there is a way to purchase bitcoin for cash using a special ATM machine, one of which is in my city.  That seems anonymous enough (although of course any agency that wanted to, could track me down with little problem).  I’m not trying to do this in the shadiest way possible.  I’m just trying to learn more about this concept and I don’t want to expose a bunch of my personal info to untrusted websites if I’m not going to be a devotee to the cause.

I watch a video on how to use the ATM and one thing I need is a QR code for an address to send my fake money to.  Electrum has a lot of different values in it.  I wanted to send the money to my wallet, so I went to Wallet Information and generated a QR code for my wallet ID.  That afternoon, I drove to the ATM and tried to buy some bitcoin.  Unfortunately, when I scanned my QR code, the machine said I had to use a supported wallet.  Step 2 failed.

Later, back at home, I think I generated a QR code for the wrong thing.  I though your wallet ID was unique and I’m sure it really is, but your wallet holds multiple addresses in it and each of those addresses are what you send and receive the bitcoin with.  The default view in Electrum didn’t show those addresses, but when I found it, things made a little more sense.  I generated a new QR code for one bitcoin address and I will attempt to use that.

Until I get back to the ATM, I figure I will try to buy some bitcoin online anonymously.  How about PayPal?  They’ve been making noise about supporting "Crypto" (The slick marketing term for this, I guess).  I quickly find out that any bitcoin you buy in PayPal can’t be transferred to your wallet.  So essentially, you have an online wallet with them.  I love you, PayPal, but no thanks.

I find another website that supposedly lets you buy without ID.  I create an account and get to the point of purchase.  They need a credit card number.  Well, here comes that mistrust again.  Not only that, but if I give my CC number, they’re going to hit me with a cash advance fee and interest.  Fuck that, too.

After a lot of puzzling over this, I came up with a solution.  Unsurprisingly or not, it’s PayPal.  I have my PayPal linked to a savings account for cash purchases.  That account is always kept at a low balance, so in case of compromise, I don’t lose all my cash.  PayPal allows you to make a virtual CC number to access the funds in any linked account, called a PayPal Key.  There’s my solution.  Now I’m ready to go.  I return to the bitcoin exchange and place my order.  It’s about $37 for me to learn this new concept.  And when I submit the form, I’m immediately told… I have to verify my identity.  God damn it.

So after a lot more searching and a bunch of other website visits, it doesn’t seem that I’m going to get very far without IDing myself, unless I want to pay a hefty premium for person-to-person trading.  Speaking of premiums, that is something about bitcoin that annoys the shit out of me.  Everything you do has a transaction fee.  It’s like having an account with a bank that has no ATM network.  You just get dinged the more you use it.  I guess people into this stuff just accept it as a cost of business.

I tried out a couple more sites and got stopped at the "provide ID" step.  I guess the ATM method is going to be my go-to method.  Looking at the ATM provider’s website, most of their machines are in sketchy locations – gas stations, vape shops, etc.  But, they do have some in a couple hotels, which I find surprising.  One is not too far from me, along a route I’ve travelled plenty of times.  So that’s going to be my next attempt.  I’ve figured out how to create a read-only copy of my wallet on my phone, so I can generate QR codes for any of the bitcoin addresses I have in my wallet.

I arrive at the hotel and find the bitcoin ATM next to the regular ATM in their lobby.  Using my mobile wallet, I set up a buy, stuffed in $40 (because in my previous online attempts, $20 wasn’t enough for a minimum purchase), and completed my purchase.  I immediately got a text message with my purchase confirmation.  Step 2 complete, I guess.

I went to a nearby convenience store and bought some snacks.  When I got back to my car, I opened my wallet and saw I had a new transaction in my history.  It said the transaction wasn’t confirmed, but, hey, it was there!  Of course, all it says is that I owned a tiny fraction of a bitcoin.  I went online and did some quick math.  It looks like $5 of the $40 purchase went to fees.  Holy shit.  But bitcoin is nothing if not the most volatile investment out there, so tomorrow I could be up $5 or down another $10, who the hell knows.

I drove back home and opened the wallet on my PC.  The transaction was there as well and now it was displayed as confirmed – I guess 15 servers could see that transaction and that was considered good.  Now that I owned bitcoin, I had to learn how to give it away.

My whole drive home I was mildly stewing about the $5 fee I paid to get my fake money.  And it made me wonder how things worked when I went to give some away.  Who pays?  And like I said earlier, it’s a racket.  Everyone wants paid.  I came to lean that even if I’m giving fake money away, I’m still paying someone to give it.  Hw much am I giving away?  Funny enough, the answer is, it depends.  How soon do you want your payment to go through, if at all?  The people facilitating the transactions work on the ones with the biggest fees first.  If things are really busy and they don’t get to your cheap-ass fee transaction in time, well, your transaction is cancelled.  And if not cancelled, you’ll wait potentially for days and your recipient is going to be beating down your door saying, "I want my two dollars!"

There are some interesting features that exist to help this situation.  One of which involves initially setting a low fee, then allowing changes to the transaction that are all fees.  So you can be cheap at first, then increase the fee if there are no takers in a reasonable time.  Another way to use that feature is to set a low fee initially, then let the recipient change the transaction to add any additional fee if they want the money quicker.  I don’t expect I’m ever going to be doing anything like this, but it’s kind of neat to know this is an option.

I contact a friend and we go through the setup of a new wallet and I perform a "Send" of about half my balance.  I chose a moderately low fee, but since everything in bitcoin is in a totally different scale, all you can do is make some rough estimates as to how much you’re losing in the trade.  So the transaction was made and it showed up on the other side almost immediately, but it remained unconfirmed.  I left it go overnight and in the morning, the transaction showed as confirmed.  Step 3 complete.

And that’s about all the more I care to experiment with bitcoin.  I spent $40 and I have $15 left in my wallet.  I’ve seen the process of receiving and the process of sending.  I’ve seen how much you lose in fees in the process.  Bitcoin is in a decline right now, so I’m probably losing value as well.  but I can now say that I can pay and be paid in bitcoin now.  That’s pretty much all I wanted.

Bring Out Your Dead

I have a problem.  Not really, but some would say, yes.  It’s my CD players.  I’ve discussed it little before and maybe joked about it.  It’s still kind of a joke.  here’s the continuation of that joke and my rationale.

So I have, let’s see.  Let me count them… 8.  Eight CD players.  Since the last time I mentioned this, I’ve added a JVC XL-V141, which is a 90’s player, and yesterday, a Yamaha CDX-520 from 1989.  This is the Yamaha:

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My collection all meet certain criteria, partially for my promotional purposes if I get to the point of selling them.  All have physical power buttons (Off is OFF), all have headphone jacks, so the youngin’s can enjoy them without needing a full stereo.  Most have volume knobs for the headphones, which is a excellent touch.  You see, when things started getting cheaper, features got cut.  This is back when CD players were premium devices.  And yeah, these were about $300 when new.  Back in those dollars, which is probably $600 today.

So, I had purchased this neat new player for $25.  I was eager to try it out and clean it up when i got home.  Right away, I plugged it in and gave it a smoke test on a CD and headphones.  Tray opens and closes, that’s good, the disc TOC reads, good.  Ohhh..  It has a chronic skipping problem.  It just stutters all over the track like it’s on fast-forward.  Damn it.

Pop the case off and look around.  I don’t really know what I’m looking for, just something out of place.  It all looks good.  I push a bunch of buttons and I notice that the CD doesn’t skip on later tracks, more on earlier tracks and chronically on the first track.  This is a clue, but I don’t know what it means yet.  This is pretty much what I had in front of me:

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While I’m reading my CD player repair document and looking over the player’s schematics from its service manual (which mean nothing to me), I go back and forth between the computer and the player.  Stopping and starting the player over and over.  Oddly, now it seems to be skipping less.  Then it’s not skipping on the first track anymore.  Is that all it was?  The player was tired and had been sitting too long, maybe just needed to warm back up?  What a crazy solution to the problem.

I tried a few more CDs.  Nope.  Skipping was still there.  So, I considered the problem wasn’t electronic, maybe mechanical.  Maybe the gears and rails for the laser transport needed cleaned and lubed.  I disassembled it and lubed up the moving parts with silicone lube on a swab (not recommended around electronics, but I’m stubborn).  Not any better, maybe worse.  Well, I’m going to have to level up on my repair skills.

The repair manual discussed adjusting the lens tracking and focus using potentiometers on the circuit board.  The troubleshooting guide also said tracking issues would cause skipping.  Ok, let’s do this.  $25 already gone, right? 

I took a picture of the pots before I fiddled with them just to be absolutely sure.

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While a CD played, I slowly twisted the left pot and the skipping got worse.  Well, that’s a change in some direction, so I felt I was on the right track.  However, I couldn’t get things to get any better.  In fact, I experienced something the the guide warned about, with the CD spinning out of control at very high speed.  So, after powering the player down and resetting the pot to neutral, let’s try the other one.  In a couple small changes, suddenly the transport quieted down and didn’t seem to rattle anymore.  The skipping stopped!  This is the setting I ended up with:

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It’s not a major adjustment, but I imagine it’s not supposed to be.  I’ve been testing out the player on multiple CDs and no more skipping issue at all.

So, my little joke of a collecting problem has given me a new repair skill.  Formerly, my repair abilities were limited to changing belts, which honestly is pretty good and has brought a couple players back from the dead.  Now I have a new solution for a new problem under my belt.  I can fix even more players now.  A good hobby is one where you continually grow, right?